Tuesday, May 21, 2013

M-16-Locked and Re-Loaded


Heaven and Hell Records
2013 

Year's back I remember downloading M-16's sole release, 1988's "Locked and Loaded", based solely on the gnarly looking cover (see second pic below with the skeleton!). At the time it had popped up on a bootleg compilation I believe and it was marked as being traditional heavy metal. At the time I was severely disappointed as it was more hard rock then anything and the production, done at MCE Studios in Schenectady, N.Y., was flat and life-less. What a difference this re-release makes! The remastering was done by Jamie King at The Basement Recording in NC and wow, does this thing ever pop now! Heaven and Hell Records has taken this New York band's lone-release and, after taking on two bonus cuts, turned what was once M-16's "Locked and Loaded" into "Locked And Reloaded"! It's new cover makes a lot more sense as this was clearly melodic metal in vogue with what was going on back in the late eighties. Musically it comes across to me as Stryper meets Dokken although there are clearly elements of Winger, Black and Blue, Leatherwolf, Bon Jovi, Kiss, Helix and Icon. M-16 was also similar in many way's to Stutz as they aimed for unoffensive party metal or, perhaps a better description might be, club metal. While this kind of music was hit or miss with me back then (and even when I first heard "Locked and Loaded" I was left unimpressed) I opted to pick up a limited copy of this re-release anyway. The samples I heard made me re-think this album when it was put up as a pre-order. The punch that it lacked the first time came ringing through the speakers and it was obvious that the band's sound had been given the proper treatment this time around. Even so these songs are much better playing in my car stereo and the songs are fun and rather catchy! As it was limited to 500 copies your best bet now would be to try secondary markets like Ebay, but for melodic metal/hair metal fans this is a cool pick-up from a cult New York band. The CD comes with a nice booklet with pictures and a history of the band and, thanks to some loving hands behind this re-release, the overall sound is vastly improved 100 times over! 

http://www.m16rocks.com/


Original album cover

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Rusted Brain-High Voltage Thrash

Slaney Records*
2013

Warsaw-based Rusted Brain, who possess a killer name for a metal band, are a relatively new outfit having formed back in 2009. The group issued a 9-track demo, "Juggler", in 2011 with "High Voltage Thrash" being their full-length debut album. While the title gives away what Poland's Rusted Brain are all about (ie. fast and furious, high voltage thrash) theirs is a sound firmly rooted in the 80's scene. Metallica's "Kill Em' All" is the most obvious influence of this 4-piece act, but the band does toss in elements of Exodus, Razor, Overkill and Slayer to keep things churning in the right direction. Here and there you'll find some nwobhm moments (Iron Maiden and Satan come to mind), but all in all this is raw thrash and damn, is it every fine! Rumcayz (Damian Lodowski) handles vocals and bass on the album and his style can be traced back to underground death/thrash acts of the 80s. Rogal (Przemek Rogalski) takes care of lead and rhythm guitars and backing vocals while Kretu (Michal Czerniakowski) joins him as they shred through lead solos like Freddy Kruger slashing up his latest victim. Meanwhile drummer Beny (Benedykt Zwoliński)bashes the hell out of his set and as these four whip everything into a frenzied assault all you can do is stand back and enjoy the show! Again, my copy came from Tridoid Records and hearing "High Voltage Thrash" on headphones transported me back to high school and a time when these sort of bands were coming up the pipe-line faster then the speed of light! For old-school thrash fanatics this is a no-brainer!


*Cassette version released on Tridoid Records

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Saturday, May 18, 2013

Subset-Loverdose

Underly Records, Reality Records and Venombase Records
2013

When it comes to an album like "Loverdoes" yes, it takes the cooperation of 3 record labels coming together to release it! On their new release, number 8 in their short career, London's Subset offer up 14 tracks of high energy rock and roll/heavy metal that channel's everyone from Bad Religion to STP! That's 14 tracks with not a dud to be found among the bunch! But, I'm getting a bit ahead of myself (as per usual!) so, let's do a roll back and start from the beginning. Subset actually started out playing live in 2009. At the time they had no money to their name and no real resources. Their first tour, back in 2010, was even done without the aide of having their own van to transport them from one gig to the next! And it wasn't like these four gentlemen where just playing a hand-full of gigs here and there or anything. In fact, since playing out back in 2009, these rockers have become one of the hardest working bands to come out of London! Now that says something! Well, here it is 2013 and Subset, as stated above, are on release number 8! Now, while math was not always my strong suit, I believe that averages out to 2 releases a year!As this band is constantly on the road just when did they find the time to knock out 8 different releases? I wish I knew their secret to time management or had even a 1/3 of their apparent energy! Who am I kidding, I settle for 1/5 of it! Anyway, while I had planned to do a track by track breakdown in the end I decided it just wasn't all that necessary as all the tracks converge to create a classic rock release! I've already listened to this one several times through and, as I'm about to embark on a short 2 hour trek to a girlfriend's house, I plan to burn a cop for the road trip ahead. Why? Well, with their classic take on rock (by way of everything from punk rock and roll to post-grunge/radio rock) this one is custom built for the road...or your next party. It's just that kind of rock release. It's cool and hip like some new college rock band or hipster band without all the pomp and dress up! Why I'm just now hearing about these London rockers in another mystery in a life that holds far too many. But, I'm hearing about them now and spreading the love. This one is fun and laid back while never taking it's foot off of the peddle. "Loverdoes" could be called alt. rock or post-grunge/modern hard rock. It could be called garage rock or be looked at as more hipster rock. Whatever. The names not that important. What matters is that "Loverdose" is one for the records folks! Or, at the very least, the record collection! Good job Subset. Good job indeed.

http://subset.bandcamp.com/ 




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Thursday, May 16, 2013

Noisem-Agony Defined

A389 Recordings
2013

 
Here's the deal folks. This LP was actually released in 2012 under the band's previous moniker, Necropsy. Baltimore-based A389 Recordings scoped this album up for a re-release and, more then likely in an effort to differentiate themselves from the 4,000 other bands known as Necropsy, the band opted for the name change. I'd argue that was a good call for this Baltimore-based 5-piece as it will definitely help them stand out more on the world stage. This relatively young act was formed in 2008 with "Agony Defined" being their sole-recording. While the group might be young, both as a band and age-wise (all of these gents are YOUNG with bassist Yago Ventura (born in 1993) being the old man of the bunch!) there is a real sense of maturity from this group.Vocalist Tyler Carnes (Bloodlust, Cremator) is a real threat on the mic and the band, which is filled out by guitarists Sebastian Phillips & Travis Stone and drummer Harley Phillips (who is the same age as my teenage daughter!), play with such conviction and integrity (not to mention skill level!) that you'd swear they had been kicking things up for much longer then their brief existence! Sound-wise this is death/thrash along the lines of early Sepultura, Kreater, early Slayer, At War, Morbid Angel and early Artillery. Toss in some Demolition Hammer, Forbidden, early Sodom and Nuclear Assault and what you end up with a simply wicked 9-track album! While I'm not surprised that younger musicians can sound this wicked, as I know of other young musicians in thrash bands, I am surprised that this is the first time I'm hearing about this Baltimore-based act. If this is what they have to offer at this young junction of their lives then the sky's the limits for Noisem! Recommend for fans of any of the aforementioned acts or those that just like hell-spawned twisted death/thrash!


https://www.facebook.com/pages/Noisem/100512316809410?ref=ts&fref=ts
http://www.a389records.com
https://www.facebook.com/a389recordings
https://twitter.com/a389recordings

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Septekh-Apollonian Eyes EP

Abyss Records
2013

What should one reasonably expect while looking over this EP? I wouldn't blame you if you didn't know as I didn't know and, as such & everything being equal (and blah, blah) I sat on this 4-track release until it started to get ripe and smell! It might have been laziness or the worry that it would be dreadful. Man, I don't know. You'd think the tag, "dirty trashy death metal" might have appealed to me or even the talking points of "influenced by Motörhead & Black Sabbath", but nope, I skipped this one and just now got my crap in order to listen to and review this EP. And? Well, offhand you could call it a punk rawk Motörhead with more of a deathly vocalist. Said vocalist, Nils Grznls Mesekeother, leads this 4-piece band (Guitarist David Wikström, Bassist Patrik Ström and Drummer Staffan Persson round things out) through 15 minutes of the death n' roll, trash metal that's neither great nor ghastly.  If anything this third EP from Sweden's Septekh just goes to show that garage metal can be found anywhere around the world.

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Tuesday, May 14, 2013

Praesepe-Hybrid Creation

Self-Released/Independent*
2012

Poland's Praespe may trace their roots back to 1996, but "Hybrid Creation" is only their 3rd full-length release. For you see, from 1996 to 2002 they were known as Ars Moriendi and they were playing this  black/death form of metal. Well, they are actually still incorporating some black and death metal into their sound, but we're getting ahead of ourselves. Their Facebook page mentions that early on (when they were still known as Ars Moriendi) they were influenced by all sorts of things from the usual (death/black/doom/thrash) to the not-so-usual (progressive rock/industrial/jazz-classical/movie soundtracks). In 2002 came the name change with a demo, "Pretentious Circle", following shortly thereafter. Why the name change? We can only guess. Anyway, following another set of demos, 2003's  "Dance Of Eternal Madness" and 2005's "B Dead - Bizzare", the band finally issued a debut album in 2006. The oddly named "NGC 2632 v M44" set the stage for this Polish act and now, finally I know, we wrap our way back around to "Hybrid Creation". When the band formed back in 1996 they were a black/death metal outfit and now, with a little stream-lining (and the added addition of progressive and dark metal elements), they've achieved a nice balance between gnarly death metal and melodic/technical thrash. "Hybrid Creation", which was recorded in London and mixed & mastered in Poland by Widek (http://widekrecords.com/), is highlighted by the unholy vocals of Przemysław Kajnat (Eternal Deformity) who, in addition to unearthing these raw and sinister demonic growls, handles bass**. The rest of the line-up is filled out by guitarist Andrzej Komarek, guitarist Dominik Gryzbon (Themgoroth), drummer Balcer and guitarist Konrad. Studio guest musicians were as follows:
Destroyer - solo guitar in "Weakness"
Marcin - midi drums arrangements & programming
Paweł Kucyper - special sound effects
Vraath - bass

With 8 tracks total, and a run-time of 48:02 (per the Metal Archives), "Hybrid Creation" proved to a great way to start up my morning. On cassette you get a slightly gritty vibe which makes this release sound like an underground recording from the long-gone (and sadly missed) days of tape-trading. Whether one chooses to call this band progressive death metal, dark metal or a hybrid of death/black and progressive metal the tag doesn't really matter. What matters most is that this "little of this and little of that" Polish band is carrying on the fine tradition already established by so many of their fellow countrymen. Poland is well-known for having some of the best black and death metal acts out there and now, thanks to this cool little LP, everyone is able to see that the talent level there won't be drying up anytime soon!

 https://www.facebook.com/pages/Praesepe/124582040946181
 

 https://www.facebook.com/TridroidRecords?fref=ts




*Cassette version released on  Tridroid Records
** The Facebook page lists Przemysław Kajnat as Praesepe's vocalist/bassist while the tape I have just has him listed as vocals & arrangements. My best guess is that he handles both live while on this album Vraath actually did the bass work.

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Monday, May 13, 2013

Chains-Dancing With My Demons 7"

Svart Records
2013


Chains was formed in 2010 by Etienne "Hellscream" Chelleri (Bleeding Fist, Naberius ). With Chains he is known as E. Chains and, prior to the recording of this limited 7", he handled all of the instruments and vocals. joined by Hour of 13's Lord Samhain. On "Dancing With My Demons" Lord Samhain, who actually joined up with E. Chains after the release of Chains' sole full-length recording, "Of Death", plays drums and end the result is rather chilling and eerie.  Reportedly earlier recordings (which also included the 9+ minute demo/single "All the Colors of the Dark") where similar in nature to Sunn O))), Moss and Urfaust, only with the added elements of 70's horror movies. Those 2 releases certainly sound like they would be worthwhile tracking down as the earlier recording were also said to be influenced by bands like Death SS and Paul Chain! Here though the music, which has this musty vibe to it, come creeping out slowing like a ghoulish skeleton from an old 70's Euro-thriller! On this 2-track release Chains experiments with not only drone and doom elements, but vintage death rock and horror rock. Toss in some dark metal and give the whole thing a ghoulish vibe and you've got "Dancing With My Demons".  With another full-length album due out in either 2013 or 2014 this 2-track 7" only serves as an appetizer for all the ghouls and boys out there!



https://www.facebook.com/ChainsOfficial?fref=ts

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Soulhealer-Chasing The Dream



Pure Legends Records
2013

Finland's Soulhealer have come a long way since forming in 2009. While their last release, "The Kings of Bullet Alley", was a self-release, which I covered, the group now is signed to Pure Legends Records. A word of congratulations is in order for this 5-piece group. With album number two now here (there was also an EP released in 2010 called "Dreamcatcher") the band has added another notch on their belt. Being lead by a talented vocalist like Jori Kärki obviously helps, but the rest of the band are no slouchers either as evident by the 10 tracks on album number two. When done right melodic heavy metal can be fun and adventurous without being too light or fluffy. With guitarists Sami Mikkonen and Teemu Kuosmanen laying down fantastic leads, and a talented new rhythm section (bassist Pasi Laakkonen and drummer Jani Nyman) keeping the pace, this new Soulhealer album is justly-titled. With "Chasing The Dream" it certainly seems as if Soulhealer are living their dream of becoming a top-notch heavy metal outfit!

http://metalmark.blogspot.com/search?q=soulhealer

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Sunday, May 12, 2013

Interview with Canada's Shock


Sometimes good things really do come to those who wait. Such is the case with Canadian thrashers Shock. The band,  which actually was formed back in 1985, just recently released their first official LP. "Once Denied", which I  just recently reviewed (link below), was a long time coming for this class act, but it was well worth the wait as it comes packed with 8 tracks of superb power/thrash! Recently I had pleasure of chatting with Shock members Steve Monette (bass) and John Tennant (guitars) about "Once Denied" and the band in general. I just want to thank the two of them for taking the time to talk with Heavy Metal Time Machine. If you haven't had the opportunity to listen to "Once Denied" yet then be sure to head over to the group's bandcamp page (http://shockmetal.bandcamp.com/ ) . Especially if you like straight-up heavy metal along the lines of Megadeth. And finally be sure to check out the band's Facebook page as well: https://www.facebook.com/pages/Shock/155776471171802?ref=ts&fref=ts





Andy- First off I would just like to congratulate you guys on the long-awaited/long-anticipated "Once Denied". Can you give us a brief rundown on how, after forming over 25 years ago, this new album went down?

Steve – Thanks very much, we’re very happy with how it has turned out. When the band split up it was very amicable. We had been going for approximately 6 years and had done numerous demos and pushed really hard, but we were hit with the record industry’s push towards grunge that was coming in the early 90’s and that wasn’t who Shock was, so instead of compromising our music and who we were, we decided to end it. Fast forward to the end of 2011 and Tony decided to call everybody up and reform the band – mostly for the enjoyment of playing the songs again.

Andy-Now, Shock actually formed back in 1985 right? How did the band come together?

John - The band was formed by Tony and myself. We worked near each other and would meet for coffee to talk about our musical interests; both of us were 'between bands', so we met to knock around a few ideas. Slashing to Live came out of one of these riff-writing sessions. We came from the same 70s hard rock background, and became infatuated with the NWOBHM and Bay Area bands who were redefining Metal in the early 80s. That was our motivation when we formed Shock in 1985 - to be a part of that new movement, and try to play with as many other bands as we could. Our ambitions were actually pretty modest!

Andy-What were some of Shock's early influences?

John - The band's early influences are the usual hard rock reference points - Rush, KISS, old Maiden & Priest. We started to write around the time that No Life 'til Leather & Kill Em All came out; they were huge influences. We were also big fans of the first 2 Megadeth albums. We can listen to a lot of our older songs & reference exactly what we were listening to when we wrote them!

Andy-Despite rave reviews for your demos Shock was never able to issue an official release until now. Was there ever any offers from labels back in the day?

John - No, we never had any concrete offers from labels back in the day. We mailed out countless press kits, and met with some A&R people, but nothing came of it. With hindsight, the production quality & rushed performances on most of the recordings definitely didn't help our cause, although we still believe in the quality of the songs. We did, however, sign a 1-year management deal with Seip Management, which managed Helix: this led to a series of gigs and more contact with labels – but nothing ever materialized from that.

Andy-You guys choose 8 classic songs for "Once Denied". Was there any talk about recording a new track to go along with these songs?

Steve – It was briefly discussed when we first got back together about writing some new songs, but it was quickly decided that we would concentrate on our back catalog. We easily have enough songs for another two albums – that’s not to say we are never going to write new material, but we just have so many songs that we like that were never released it seemed pointless to start to work on new songs right now.

Andy-The band reformed in 2011 from what I've read online and then you guys opened for Helix at a sold-out show in March of 2012. How did that come about?


Steve – It was in the fall of 2011 that we had our first rehearsals, with no real goal in mind – just to play our old songs and enjoy them. Right from the beginning everything was sounding really good. At that point we decided to enter the studio and record 3-4 songs so we could have them for our own listening with much better production than how the originals were recorded. While we were in rehearsals for that we were offered the Helix show, the band was tight and we only needed to add a few more songs to give us a full set, so we did it. Once that was over we were entering the studio and we already had a full album’s worth of material ready to go, so we figured we might as well record them all.


Andy-In all those years apart how were you guys keeping busy?

Steve – Tony, John and myself all had families, jobs and the usual things. Tony kept playing music and teaching.

Andy-"Once Denied" was given some serious props by the likes of Dan Beehler (Exciter) Joey Vera (Armored Saint/Fates Warning/Engine/Anthrax and countless more!) and even famed journalist Martin Popoff! I'd imagine that was a rush of encouragement right?

 Steve – Anytime someone “gets” what it is that you’re trying to do with your music it’s really the most satisfying thing any musician can ask for and when it’s someone who you respect and admire for what they’ve done in their career it only multiplies that.

Andy-How did you manage to reel in drummer Chad Walls?

Steve – Chad works as a drum teacher at the same music school that Tony teaches guitar at, and they’ve known each other for years. When our last drummer was unable to join us, Tony approached Chad about paying with us and after Chad listened to a few of our old demos he was in.

Andy-So far the reviews for "Once Denied" have been glowing. In your eyes does that affirm that Shock was (and still is) the real deal and that record labels screwed up by passing on you guys back in the day?

John - Bitterness is a negative emotion, so that's not a factor. However, we do feel a great deal of pride and vindication at the attention and positive comments that our work is bringing in 2013. We chalk it up to a series of life experiences, most importantly, get the best musicians available to do the job, and get a guy behind the engineering console who truly understands what you're trying to do.

Andy-You guys have opened for some huge bands like Motörhead and Saxon. Any shows that still stick out after all these years?

John - Megadeth was a highlight ... we were, and still are, huge fans. They were touring just before the release of "Peace Sells", with King Diamond - we wanted to open the show, but the club owner didn't think there  would be room for 3 bands. The day of the show, King Diamond cancelled, so we were called, on short notice, to open. We got to hang out with Megadeth during the day, and they were very gracious to us; they also put on a killer performance. We were told later, by a mutual contact, that Megadeth really enjoyed our show as well. And ... Gar Samuelson - RIP. We were also fortunate to do a few shows with Montreal, Canada band Sword, including a sold-out show at the Spectrum in Montreal in front of about 1,500 people. Great guys: they've reformed, so our tour trails may cross again!


Andy-Hailing from Canada and all what's the furthest from home that Shock has ever played?

Steve – We’ve played in the farthest reaches of Ontario and Quebec, which is actually 1/3 the size of all of Europe

Andy-Are there any plans to tour now that "Once Denied" has been released? Perhaps in Ohio LOL?

Steve – Long range tours are not in the plans right now, but we’re certainly open to interesting shows and festivals.

Andy-Getting back to the album for a second it does seem as if the title, "Once Denied", is like a subtle jab at the music industry. Was that the case?


Steve – The title came from a line in the song "Fighting Chance", that states “Once denied…now my right” and we all felt that the lyrics of that song really summed up the history of the band and that line in particular stood out. Was it a jab – not really, it was more a statement that we weren’t taking no for an answer this time – we were releasing this CD one way or another.

Andy-What's your favorite song on the new album?

John - Favorite song is always a tough one, like asking who your favorite child is! I am very partial to "Splitting the Atom", though - the song has taken on a life of it's own with the band's new rhythm section. The song's main riff is very powerful, and sounds like a tank - the lyrics are also, unfortunately, timeless, as the spectra of nuclear war remains in the headlines. The acoustic guitar break & a couple of studio effects make the song a good headphone listen as well.

Steve – Favorite song is a difficult one as John said. For me it can really depend on what kind of mood I’m in. It can also depend on if you’re asking favorite song to play or to listen to. Overall though I would have to choose "Paths of Glory", as it’s a really heavy song with some cool time changes and I really like the lyrics

Andy-Good call as both of those cuts are killer! So, what does 2013 and beyond have in store for Shock?

Steve – Right now we are just trying to promote the CD as best we can, and get the word out. We are also looking for some interesting shows to play like some opening slots for bigger bands, as they can be great for exposure and opening us up to new audiences.

Andy-I'll leave you with the final word. Anything else you want to add, share or say?

Steve – Andy, we just want to say thanks to you for the interview and for reviewing our CD. As stated earlier it really means a lot to us when someone “gets” what we are doing – we’d all rather play to a crowd of 5 people who are totally into our music as opposed to 500 who don’t care. 

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Haust-No

Fysisk Format
2013


Haust hails from the hills of Notodden, Norway where, in 2001, they became "infected by the mix of white trash and black metal" in their surroundings. That infection would lead to a 2002 demo called "Blackmetal Suicide" and, after releasing another demo in 2003 called "Rejected", would eventually result in the 2005 full-length release, "Ride the Relapse". Now, as we fast forward all these years later, Haust issue their 4th full-length release and their first new material in 3 years. Their complete back-catalog also includes numerous EPs and Splits but, to these ears, "No" is my first experience. So how was my first time? Well, the band, who are part of what is called the "Black Hole Crew" (alongside other bands like Okkultokrati, Dark Times and Blackest Woods) weirdly enough do come off as a cross between white trash punk and black metal. It's not quite black n' roll though as there's some proto-metal going on here and, what I'd describe as, trash metal. Certainly not for everyone, but in a way this one is almost punker than punk. It sounds like it was recorded in a garage studio and, when you hear the whole shebang was recorded in a mere 2 weeks time (with actually recording time taking a mere hour!), you should know what your getting into.The promo sheds some further light on "No" as it was 2 weeks "full of arguing, distrust and rehearsal". You can hear the raw negativity that runs through these 8 tracks which reminds me (vibe-wise) of C.O.C.'s "Animosity". Raw and evil, twisted and hateful, this LP is what I'd imagine you'd get out of a black metal band setting themselves on fire while they blast through "interpretations" of tracks by the likes of S.N.F.U., Crass, The Dayglo Abortions and The Germs!

https://www.facebook.com/pages/Haust/109919372546
http://www.fysiskformat.no
http://www.facebook.com/fysiskformat

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Saturday, May 11, 2013

(the) Melvins-Everybody Loves Sausages

Ipecac
2013

 
"Everybody Loves Sausages", which I had hoped to cover awhile back, but in typical fashion my review is late coming, is a 13 track album of covers. Vocalist/guitarist Buzz Osborne explains in the promo's notes that "This record will give people a peak into the kind of things that influence us musically". Those influences apparently range from the likes of Roxy Music to Venom! With guest's stopping by to lend a helping hand (among the list is Scott Kelly (Neurosis) and Jello Biafra) the band cuts through these various tracks like a skilled surgeon. Truly only (the) Melvins can cover Queen's "You're My Best Friend" and pull it off as equally as Throbbing Gristle's "Heathen Earth"! While the full list is below I really dug their take on The Kink's "Attitude" (featuring Clem Burke of Blondie), Venom's "Warhead" (featuring Scott Kelly of Neurosis), Roxy Music's "In Every Dream Home A Heartache" (with Jello Biafra and Kevin Rutmanis) and the Pop-O-Pies number "Timothy Leary Lives". Really the only number I didn't care for was their cover of David Bowie's "Station To Station". Overall a fun album and it's cool to see the roots of Buzz Osborne and company. I'm not quite sure if this will appeal to casual listeners or not, but fanatics, as well as love who dig cover albums, will certainly want to scoop this bad boy up!

The complete track listing with original artist and guest player notation:
1. Warhead (Venom; Guest: Scott Kelly of Neurosis)
2. You're My Best Friend (Queen; Guest: Caleb Benjamin of Tweak Bird)
3. Black Betty (Original artist unknown)
4.  Set It On Fire (The Scientists; Guest: Mark Arm)
5.  Station To Station (David Bowie; Guest: JG Thirlwell)
6.  Attitude (The Kinks: Guest: Clem Burke of Blondie)
7.  Female Trouble (Divine, written by John Waters)
8.  Carpe Diem (The Fugs)
9.  Timothy Leary Lives (Pop-O-Pies)
10.  In Every Dream Home A Heartache (Roxy Music; Guests: Jello Biafra and Kevin Rutmanis)
11. Romance (Tales of Terror)
12. Art School (The Jam; Guest: Tom Hazelmeyer)
13.
Heathen Earth (Throbbing Gristle)

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