Terveyskeskus-Omat koirat puree

Svart Records
2013

Known for their legendary 1987 debut EP, "Maailmanloppu" (reissued on Svart Records) this Finnish act cam together in 1982, "the year of the big Finnish hardcore punk explosion', as their promo puts it. While not the first Finnish hardcore punk band, as that honor would most likely go to Terveet Kädet ("Healthy Hands"), and despite releasing next to nothing (as far as recorded material), this band maintained a cult status within the scene. It goes without saying that hardcore punk, just like heavy metal, is universal in it's approach. That holds true no matter what language it's sung in. Terveyskeskus, which means "Community Center", offer up for public consumption a short, but ever so sweet, this 11-song album. It's the band's first new material in 20 or so years and, without missing a beat, it's just as raw and real their 87' EP. "Omat koirat puree" ("Your own dogs will bite you") is classic hardcore punk in the truest sense possible. The songs are furious and fast, like little bursts of pent-up rage, and come whirling out at you like a Molotov cocktail! The energy level is nothing short of insane on this 11-song sonic ear assault. It's really quite simple. This is just classic hardcore punk from a classic, if more cult then anything, hardcore punk band.Give Svart Records some credit as they have managed to add a lot of unique bands to their roster over time with Terveyskeskus being yet another check mark in their column. This one reportedly has a very limited run as it's a12-inch vinyl LP. You snooze on this one and, sure enough (just like the fact that the sun will eventually shine in Ohio over the next 12 months), you'll lose out. You'll lose out big-time. If classic hardcore punk gives you a reason to keep on keeping on (an why wouldn't it?) then this Finnish band needs to find it's way into your personal collection at any cost.

Thelemite-Slave To Desire

Steel Gallery Records
2013

Thelemite is a Greek heavy/power metal band that was formed in the autumn of 2010. Their name comes from "Thelma" which was a religion made up by Aleister Crowley. Why there are so many bands/artists obsessed with this guy (or nut if you will) I will never known. But, that's the name for this new band and an indication of nature of their music. For the record the band sites Black Sabbath (Martin era), Ozzy Osbourne, Dokken, Savatage, Dio, Rainbow and Yngwie Malmsteen as influences. Featured players include vocalist/guitarist/synth Johnny Nightelf (Yannis Manopoulos), who also handles bass and keyboards in Crimson Fire, well-traveled bass player Nikos Michalakakos (Spitfire/Ragenheart/Dark Nightmare) and drummer Tassos Kolios. The original version of "Slave To Desire" actually came rolling out in 2012. Steel Gallery Records just scoped up the band and talked the three gentlemen into adding a few more tracks to the album. Hence "Slave To Desire" the 2013 version. It's interesting to note that the band and issued "Slave To Desire-Promo 2012" which included 5 of their own tracks and a cover of the Joan Baez' classic "Diamonds & Rust". It's not the first time that particular track has been covered by a heavy metal band. Judas Priest made it into their own and it's worth mentioning that Thelemite seem to be influenced by Judas Priest so it's interesting they choose that cover. As well Judas Priest, and the other previously mentioned bands, Thelemite take some cues from Helloween and the UK's Power Quest. "Slave To Desire" ends up being this easy to digest, if desperately in need of extra spices, heavy metal platter. For all the rave mentions I've seen lately from not only the press, but fellow power metal bands perhaps I just expected a bit "more"? While taking nothing away from their talent, and their ability to write somewhat flashy heavy metal, I was left with the feeling that "Slave To Desire" was missing something. It's not for lack of trying and it certainly has nothing to do with the stellar production. Instead "Slave To Desire" almost feels too "safe". While a little more "crunch factor" would go a long way with Thelemite (Perhaps more Ozzy era Black Sabbath then Martin era might help?) it's not as if melodic power metal in and of itself is bad. It's simply a case of this Greek band finding a little bit of danger as they move forward. Still, if bands like Power Quest are your cup of tea, you could do worse then "Slave To Desire".

Forgotten Gems: Blood Of Kings-Blood Of Kings

Self-Release
2011

Is Seattle,Washington becoming the new Bay Area? Hear me out. With some insanely talented young bands (Sword Of Judgement anyway?) calling this coffee central city their hometown it's not all that much of a stretch. The latest group to catch my attention is Blood Of Kings. While they don't need me to serve as a hype machine (their music will do just fine thank you very much!) Forgotten Gems is all about sharing music whether old, or in the case of Blood Of Kings, a bit newer. That's the thing with Blood Of Kings. Yes, they are a "newer" band, but their roots, or as Sepultura put it "Roots Bloody Roots", run deep. Blood Of Kings features two guys who were in H.M.P. (Heavy Metal Poetry) in Pete Yore(bass/vocals) and Eric Jelsing (drums). H.M.P., a thrash metal band, released a full-length album and two EPs. In Blood Of Kings the pair is aided by guitarist/vocalist Nick Paul, formerly of the bands Wolves in the Throne Room and Stormcrow. This 4-track demo cassette was recorded with Greg Wilkinson (Ghoul, Insect Warfare, Saviors, Stormcrow) at Earhammer Studios in Oakland, CA.  Skip past the questionable demo artwork (Not very "metal" looking at all is it?) and you'll find this 3-piece band with an amazingly consistent and mature sound. For their first recording the band is spot on. They fuse old school speed and thrash metal together with elements of traditional heavy metal and US power metal. The closest point of reference would be early Washington State act Metal Church. Take the self-titled debut album from Metal Church, replace the late great David Wayne with a singer who offers up raw, raspy vocals (Not to worry they don't ruin the party) and add a little more of a homegrown/underground appeal and there you have Blood Of Kings. Sure, you might be saying "Isn't this  just another, in the long line of already established young bands, new band trying to copy a style and sound that is historically reserved in it's own time and place?". Is this just another new band that is trying to tap into the energy of the past or are they trying to keep true metal alive? It's more of the latter. Much more. This young band is keeping things old school, but they have forged their own path. The sound is solid like the heavy metal bands of old while maintaining a newer, more modern take on the genre. Armed with a unique sound, and empowered with talent to spare, Blood Of Kings is one band you've got to keep a close eye on. Especially if you love REAL metal. As the band is currently recording their debut full-length album at Witch Ape Studios (with Tad Doyle at the helm), 2013 should be a good year for Blood Of Kings and a good year for those of us that love good speed/power/thrash metal. Be sure to check them out for yourself. 



https://www.facebook.com/pages/Blood-Of-Kings/166688440059586

Bellua-Bellua

Self-Release/Independent
2013

Yet another demo that was original posted by Blood And Honor. And, yet again it's doom metal. Unlike my post yesterday (about Naga) this 2-piece band hails from L.A. and they play a more metallic form of doom. Five tracks worth of metallic doom. Of course my 70+ year old father did just walk down into my work-area and describe them as such: "What is that noise?". I'm not so sure he's into doom though (let alone heavy metal) so take that with a grain of salt. I will admit that Jonathon Heuer (guitar + vocals) is not the word's best doom metal singer, but I wouldn't say his vocals ruin Bellua either. It just is what it is. Find out more about this "name your own price" digital doom download below.














http://bellua.bandcamp.com/album/bellua

Eate-Eate

Self-Release/Independent
2103

This is the second demo to be recently posted on the blog site Blood And Honor. Or rather it's the second demo I'm tackling that these guys posted in the past week or so. Right up front I'll say that this is a free download and worth checking out if your into bands like Helloween or Edguy. Their ReverbNation page lists Metallica as well, but I don't hear that as much from this Spanish power metal 5-piece. Of the 5-tracks on this self-titled demo (5 tracks from a 5 piece band? Coincidence?)  it's "Warriors Of Freedom" that really got my blood flowing and, in the words of my friend Jeremy, made me want to "rage". Hear it for yourself my fellow metalheads here:


http://eate.bandcamp.com/album/eate

Dreamscape Radio

I've always felt that life is WAY too short to spend your time listening to corporate radio. Whether it was college radio or an independently run radio station, both of which still exist in one form or another today, my youth was spent in pursuit of programing that catered more to my tastes (punk-thrash). These stations were the true lifeblood of music as they didn't exist in a "pay to play" universe. Instead they played music that was always "underground". In that spirit a site like Dreamscape Radio is always a welcomed find. As their site proudly displays one of my favorite anthems (Support Local Music) as well as playing everything from Club to Country and Rock to Rave (they play music from some of the best local and world wide indie bands out there) they are truly a one-stop destination when it comes to quality Internet radio. Why spend hours and hours surfing the net, trying to find some kind of quality internet radio station. when you can just skip all that hassle and go to a site like this? Don't just take my word for it though. Check it out for yourself. And remember folks to always support local talent (whether it's bands or actually "Art" artists) and local businesses. Support those people who are creating not for a source of fame, but for the pure bliss that comes from doing what you love without fear of having to answer to someone else.

http://www.dreamscaperadio.com/

Naga-Naga

Self-Release/Independent
2013

First things first. Special props goes to my friends over at the blog site Blood And Honor: http://bloodandhonor-metalblog.blogspot.com/ 

This is the first of 3 demos I hope to post today or tomorrow from the fine folks there. Not only does this site always seem have a smorgasbord of out of print albums, but they also post newer releases. This particular demo comes all the way from Italy. Naga, who were formed from the ashes of KTER, play doom metal that is incredible SLOW and HEAVY. It's also incredible good doom that rivals some of the bigger names in the field today. This is only a 2-track release, but I wouldn't let that small detail keep you from checking this demo out. Especially as the cuts have run-times of 9:36 and 13:14! So yeah, when I say it's slow and heavy doom, I mean it! As a name your own price digital download you have nothing to lose folks.




http://nagadoom.bandcamp.com/album/naga

Minus One World-Sewage

Self-Release/Independent
2013

This just might be the first band I've ever heard of to hail from Salo, Finland. It's not that Finland doesn't have a thriving metal scene. After all this is the same country that has brought us everyone from Hanoi Rocks and OZ to Children Of Bodom. But Salo, Finland? Not so much. But, as it does has a sizable population of 55,000 plus, a more then hardy number, by default someone must be listening to heavy metal there right? That's where Minus One World comes into play. Of course this underground band, that was formed in early 2008 by Juuso Ketokoski (bass), Jasu Jokinen (vocals), Ville Hietala (drums) and Antti Hirvonen (guitar), is not by definition "heavy metal". No, Minus One World offers up raw thrash/death metal on this 4-track EP. "Sewage" follows two other self-recordings in the form of "Demo I" (2008) and "Demo II" (2010). What they clearly lacked in the imagination department (in regards to early demo titles) they more then make up for on "Sewage". Recorded in a home studio in 2012, and with a run-time of 14:55, "Sewage" was mixed by Juuso Rautio at Big Show Entertainment (www.bigshow.fi) and features the talents of new lead guitarist Aleksi Tossavainen.Of course even with two guitarists in the fold the band has not abandoned the true spirit of the founder's vision. Minus One World still adhere to the brutal nature of their roots. Even for a band playing a hybrid of death/thrash "Sewage" falls squarely on the raw side of things. From that description you might expect that Minus One World play in a haphazard and sloppy manor more befitting the punk rock culture. Rather then that the material in question possess this mid-eighties underground metal appeal. The gravely vocals of Jasu Jokinen recall a style that was lost somewhere in the early 90's. When the band comes into focus on "Sewage" it's the glory days of tape-trading that comes to mind. Minus One World are like a thousand young bands in the eighties who made a demo with heart and passion on their side. Those bands played for a purpose, a belief, not for a corporate contract and the promise of limousines and a rock-star lifestyle. Minus One World may well find themselves on the outs with today's "modern metal" crowd, but for those of us who remember when metal's attitude wasn't for sale "Sewage" is a testament that "modern" doesn't always mean "better".

.

http://www.minusoneworld.com/

Deep Purple-Live In Paris 1975

Eagle Rock Entertainment
2013

There's absolutely no need for a long-winded introduction when it comes to Deep Purple. Unless you've been living under a rock for the last forty-plus years you should know the name and know the legacy. Other then an eight-year hiatus (1976-1984) this English band has been a constant in the world of rock and roll since forming back in the late sixties. Listen to this live album and then consider the fact that the band is still at it and it's easy to see why Deep Purple are considered to be one of the hardest touring bands in the world. There's also a very good reason why this album is revered. While it could be debated whether or not this live recording is as good as "Made In Japan" it still sticks out as it was the last show played with legendary guitarist Richie Blackmore before he left the band. Of course his departure would lead to the legacy that of Rainbow. So, with Richie Blackmore on his way out the band recorded his last show with them in 1975 at the Palais des Sports, Paris With David Coverdale on lead vocals, Glenn Hughes on bass/vocals,  Jon Lord on keyboards and Ian Paice on drums this might not have been considered the classic line-up (indeed this was the Mark III line-up), but, man alive, could these fine gentlemen ever rock! With a new album on the horizon (due for release in April) it's good to hear that this is just the first of 10 classic Deep Purple albums that will be exhumed. This was originally issued on Purple Records and features the same original 9-tracks, but with a great interview with Coverdale, Hughes and Paice tacked on as a bonus. It's also been digitally re-mixed and re-mastered from the originally multi-track recordings. That right there is reason enough to pick up this 2-CD set. If you are new to this album and you're wondering just how you can stretch 9 songs over the course of 2 CDs the answer is simple enough: solos. Lots and lots of solos. That might sound like it would be a tedious affair, but when you have musicians of this caliber it's far from the case. All five of these guys were more then professional musicians as they breathed life into the music they played and believed in. This album might have been recorded live back in 1975 (when I was a mere 2 years old!), but it stands as a testament to the timeless nature that lies at the heart of Deep Purple's music. We've all heard tracks like "Burn", "Smoke On the Water" and "Highway Star" on the radio as these are a few of Deep Purple's contributions to the vaults of classic rock. Here they take on a life of their own and help to make the distinction between studio-Deep Purple and live-Deep Purple. Both verses were great in their own right as an album like "Live In Paris 1975" pays witness to. For the casual Deep Purple fan out there this is would make a nice addition to a collection. For the die hard Deep Purple fans out there I'd wager that this one is already in your collection. With it's enhanced sound and the bonus interview it's still worth picking up again though.


 

Incantation-Diabolical Conquest (LP reissue)

Hells Headbangers
2013

This death metal classic was originally released back in 1998 so this is just a re-issue. Granted it's a heck of a re-issue from the looks of it (pic below) and sure to please fans of the band and death metal in general. All of the pertinent information (in regards to the LP's details) is also below so I'll just throw in my 2 cents really quick. Pennsylvania's Incantation (who formed in 1989) might get overshadowed by names like Morbid Angel, Deicide or Cannibal Corpse, but they are every bit as important and, even more so, consistent. This might just be their best album (I have not heard some of their newer material so I can't judge those, but they seem to get good reviews) and it's nothing short of death metal goodness. Like Death metal and collect LPs? If you answered yes then this is a no-brainier. Even if you don't have a record player I'd still suggest checking out this album anyway. It's what death should always sound like.

 

















OUT NOW ON Hells Headbangers: pressed on black vinyl & colored vinyl in a Gatefold cover with large poster of the cover artwork. The D side has a laser etching. T-SHIRTS IN STOCK NOW!

ORDER HERE:
http://shop-hellsheadbangers.com/item.asp?cID=0&PID=26962

Forgotten Gems: Spinecar-Autophile

Spaceboy
2001 or 2002?

Um, my copy says 2001 while other sources say that this album came out in 2002. Who is right? Why am I starting out to review/article that way anyway? What is going on with this 3-piece band anyway? Alright, here is the facts as I know it. I signed up for Swap A CD. In case you don't know Swap A CD is a  site where you can post CDs for trade and order CDs that others have posted for trade. For example you send 1 CD and get 1 CD "credit" that you can use for a CD listed. Easy enough. I signed up and sent off some old CDs I no longer needed or wanted. After receiving a few credits I decided that it was time to roll the dice (as it were) and check out a couple of bands that I'd never heard of. Why not? Life is full of those moments when you just have to step on out and take a chance. Of course I should heed my own advice sometimes, but that's a story left for another time. Anyway, Spinecar was smack dab in the middle of Swap A CD's "Hard Rock & Metal" section. Whether this New York 3-piece could (or should be) called "hard rock" or "metal" is open to debate. The band was formed in Upstate New York in 1996 and features Eric Braymer (guitar & vocals), Larry Gagliardi (bass & vocals) and Art Berstein (drums). In 1997 the band independently issued their self-titled debut album which was followed by 1999's "Up From the Mud". Amazon has an EP listed (2003's "Passive Aggressive") and a 2008 album, "Revenge". As stated up above some sources say 2001 and some say 2002 for this release. In the grand scheme of things it really does not matter one bit I suppose. Here's the bit that really matters: the music. Here's the real deal, scoop on that matter: I have no idea how to describe this one other then to rattle off a list of bands that seem to serve as it's influences. A bunch of bands that come to mind right off the bat are Korn, Deftones, Kyuss, Tool, Filter, Soundgarden, Quicksand, Helmet, Butthole Surfers, Dumpster Juice, N.I.N. and Ministry. Yes you hear those bands, but this is more like a couple of random guys deciding to record an album of (heavy) gritty and raw alternative rock/post-grunge/metal that would serve to groove even as it grabbed your fact to rub across gravel. As much as last part sounds like it would hurt though it's all good as the band's rock is rough to the touch while just the thing needed to unwind and become unhinged. It's a nice serving size of heavy "whatever" from a band that might not easily fit into any one scene, but even so should serve as a template for young bands these days to emulate.

Baptists-Bushcraft

Southern Lord
2013

Southern Lord + fast & furious punk/hardcore= blissfulness. At just about 30 minutes in length, and filled with nothing but venom and rage, the sound you can expect to hear is anger as an art-form. The fact that this 11-track album never comes unraveled as it steamrolls over everything is nothing short of a miracle.The fury here is that of a band fueled by hate for an unjust and crumbling society. You don't just listen to this one, you live it.

Cold Steel-America Idle

Stormspell Records
2013

Somewhere around here I have a copy of Cold Steel's 1992 album, "Freakboy". As I recall it's a fairly unremarkable affair. This Long Island thrash band was formed back in 1986, but it took them until 1992 to release a full-length album. Prior to that they had a couple of demos and a split. "Freakboy" was followed up by the "Bracing the Fall" EP (also released in 1992) before the band folded in 1993. Following a 20 year break the band is back once more. You've got the same vocalist (Troy Norr) and one of the same guitarists (Joe Shave) along with new bassist Doug O'Dell (Ice Age), guitarist Eddie Campbell (Morbid Sin) and drummer Hal Aponte. So, 2 old members and 3 new members. And the result is? More of the same I'd argue. Decent enough thrash if nothing to get all worked up about. It's sort of like Cold Steel get's all dressed up for the party and then just comes out and goes through the motions. This 5-track EP isn't bad or anything like that I guess. It's more like it just is sort of predictable. And that's the real question then as it seems as if Stormspell Records is making a lot of fuse (vinyl, CD and digital release) for something that is at best a average release. Oh well. 

Mothership-Mothership

Ripple Music
2013 

Contrary to popular belief rock and roll isn't quite dead. It's still got some life left in it and, if bands like Mothership have anything to do about it, it will be still be around in years to come corrupting our grand children's children. When I read this band's name it was that 2007 Led Zeppelin compilation album that came to mind, but this power trio Texas isn't just another band trying to write their own take on "Black Dog".
Yes, there are some mighty riffs worthy of Jimmy Page's approval. Mothership mean more to the game then that though. While they moved on down the road enjoying the all the sights that their travels would bring them (there is after all so much to see and do if you are a new band trying to find your groove) this young band would make plenty of pit-stops along the way. They would end up basking in southern rock (ZZ Top, Molly Hatchet, Blackfoot), they'd cut a straight line through bands like Iron Maiden and UFO and finally they would indulge in all things rock (Ted Nugent, Cream). So, bands like UFO, Molly Hatchet, Cream, Iron Maiden, ZZ Top, and more helped define Mothership's sound. I guess you could say that this is fuzzed-out southern rock meeting the whole gang (classic rock, NWOBHM and 70's hard rock) in a bar after a long, hard week at work to pound down a few cold ones. If you are a fan of all things 70's then there has never been a better time to be alive! Bands like Mothership are spreading the love and this self-titled, which sounds as if it was forged within the lava of Mount Doom (Mordor), is the perfect way to celebrate the joys of rock and roll. While this was original self-released in 2012 (Ripple Music is apparently re-issuing it in grand fashion) the production is nothing to worry about. For a band like this, who rely on the all mighty wall of fuzz, the production is more then fine. It's almost perfect for fuzzy hard rock and this album, in all it's glory, is just what my week needed.

Mosely-With Pencils In Hand

House Of Fish
2013

I'm taking a wild stab in the dark here, but I'm guessing it's really freaking cold right now in Ottawa, Ontario. That's where this 4-piece band calls  home. With their warm & sunny take on rock and roll though this young band must be making the area all the more enjoyable, cold weather or not! For a band that was only formed back in February of 2012 they sure do seem to as if they have managed to do a lot in a relatively short span of time. The band released the 10-track album "Frailty" in April of 2012 followed by the "Don't You Dare" single this past December. "With Pencil's In Hand" is the latest release from Canada's Mosely and it finds this 4-piece band offering up 6-tracks of energetic garage rock. Now, to show that I do indeed have kids (which should be obvious as I dearly love them and try to mention them as often as possible!) the first thing that popped into my head when I saw the name Mosely was Jennifer "Moze" Mosely from Ned's Declassified School Survival Guide (played by the lovely Lindsey Shaw). Weird I know, but this band almost has the same sort of quirky fun to them as the show. They are not as goofy as TV show, but one of the other things they have in common is this sense of enduring charm you get from both. Now, just like the TV character "Mosely" this young band is features an equally lovely lady in the form of front-woman Dani Poisson. As she leads the band in an effortless fashion over these 6 tracks words such as "energetic", "pop-punk", "alternative rock", "sunny", "fun" and "garage pop rock and roll" come to mind. Consider those the "tags" then for this band that cites Coldplay, Thrice, Foo Fighters, Kings Of Leon, Muse and Black Sabbath as influences. Nah, I'm just kidding about that Black Sabbath part (seeing if you all are awake on a sleepy Saturday) as these four seem more drawn to a band like Blondie then Black Sabbath! While I've thrown out the terms "pop-punk" (and even "pop-rock") this band does have more of a rock edge then those two descriptions would imply. Yes, the band can craft some pop-tinged material, but it's not like any of the songs on "With Pencils In Hand" are god awful Avril Lavigne "Sk8er Boi" pop or anything! Since they are lead by a woman with a little spunk in her voice I'm sure sooner or later (if it hasn't already happened that is) that they will get compared to Paramore. You do have to wonder how many female-fronted hard pop/rock and roll bands get compared automatically to Paramore? Probably too many to count. For some unknown reason though another band comes to mind who are, well, a little more less known. After listening to this EP I can honestly say that this is what I'd imagine a heavier Zolof the Rock and Roll Destroyer would sound like! (just look up the name folks). Anyway, this is something different then 99.9% of what you'd normal come across here, but I like to walk on the wild side sometimes so why not have a band like Mosely here right?


http://mosely.bandcamp.com/album/with-pencils-in-hand

Current Playlist

Here we are together again. It's Friday everyone! Let's all toast to surviving another week and hope that we all see each other again in 7 days time. Until next time remember to live it "loud and proud"!


Listening to:
Samson-Head On
Emmy Strut-Emmy Strut
Leader-Out In The Wasteland
Unicorn-The Legend Returns
April Wine-The Nature Of The Beast
Heathens Rage-Heathens Rage
Rhodes-Into The Future
Hell-Human Remains
Breaker-In Days Of Heavy Metal
Give 'Em Hell Compilation

Watching:
Safe
In Search of the Castaways
Cabin in the Woods

Reading:
VideoHound's Horror Show: 999 Hair-Raising, Hellish and Humorous Movies
 

Thrash Sells...But Who's Buying?

Tridroid Records
2013                                                                     


When you go and combine two of my favorite things, thrash metal and compilation albums, you will catch my attention every time. Tridroid Records is an independent metal distribution label based out of St. Paul, Minnesota that produces and distributes limited quantities of cassettes for bands "of all shades of metal". "Thrash Sells...But Who's Buying" is, first off, a cleaver title for a thrash metal compilation and, more importantly, a great collection of 15 up and coming thrash bands from around the world. This is Tridroid Records first attempt as a compilation release and, here's hoping/fingers crossed, it will only be the first of many as they sure know how to pick 'em! There's been more heavy metal, thrash and speed metal compilations released over the past 30 or so years then I can count. The cool thing about that is it gave many a great band (from Ratt to Slayer) a chance to gain further exposure and it also gave metal fans a chance to discover their new favorite act. Not to mention it also would give metalheads a chance to brag that "I heard them first before they got big". Of course the chances of all 15 of these bands becoming the next Metallica, Megadeth or Slayer is slim to none, but if your a thrash fanatic then this is a must-purchase. Given that this is a free download (at least as I type this) then there is nothing to lose. I should mention that there are a few bands on "Thrash Sells..." that sit on the edge of what might be considered "pure thrash", but the bulk of these bands play good old-fashioned thrash that seems to be custom made for moshing. After listening to this compilation I will say that there are some bands that I plan to keep an eye on in the near future. They are Warsenal, Demon Prayers, Pripjat, Stoneload, Climactic, KläsheR, and Warforger. The cool thing about these bands (and a few others I'm sure I'm forgetting to mention) is that while they are all "thrash" they are all different sounding and unique. Tridroid Records really has done a good job here of assembling a compilation of bands well deserving of exposure. This is a collection of bands from all over the world that might not otherwise get a chance like this. For example take the 3-piece speed/thrash band Warsenal. Even though they hail from Canada (which has given us everyone from Gorgots to Voivod!) it might as well be Mars as they seem to be almost completely unknown. Their contribution, "Hit 'n' Run", (which is taken from their 2012 demo) is some of the best thrash I've heard it a L-O-N-G time. Without this compilation though what are the chances that I'd ever have heard this song or the demo? Little I'd say. And yet here I am having just contacted the band to ask them about the demo for review purposes. That right there is the beauty of these kinds of compilations. I've provided the link below so it's up to you now. If you love thrash then click on that link. It's as simple as that.

















http://tridroid.bandcamp.com/album/thrash-sells-but-whos-buying

Holy Grail-Ride The Void

Nuclear Blast
2013

In days of old I usually left Holy Grail for Metal Mark to cover. Whether it was the band's name (I liked their original name Sorcerer better) or their album's cover art so far (I hated the album art to the EP "Seasons Bleedings" and the single "Dark Passenger") I just wouldn't give this band a chance. What changed then? Well, first of all Metal Mark is covering all things sci-fi, horror and fantasy (at least film and TV wise) these days so he is a little busy. Speaking of which, if you haven't check out his other site then you are missing out! Drop what you are doing and pay him a visit. Of course you should finish reading this review first (LOL), but here's the link: http://scifihorrorfantasy.wordpress.com/   so go stop by and say hi to Metal Mark. Getting back to this album though and the second reason why I decided that I had to give it a shoot. Reviews. Yes, other reviews of this album. The latest issue of Metal Hammer has a lot of good things to say about this release it seemed and the more I dug about online the more I read some reviews of this album which were overwhelmingly positive. The final thing that did it for me was when I went back and decided to re-read Mark's review of the "Dark Passenger" single. He has this to say about the single "They dip into NWOBHM territory following the likes of Maiden and Diamond Head and combine with some heavier riffage." In a nutshell I trust Metal Mark's words so I decided to tackle this album for myself. If you don't know already this band was formed in 2008 by several former White Wizzard members. The story goes that just as White Wizzard was breaking out ("High Speed GTO" was as much a hit with the metal community as it was loathed by the metal community) they were breaking apart. Bassist Jon Leon dismissed the other 3 members of the band and decided to carry on White Wizzard with new members. The 3 former members meanwhile went on to form Holy Grail. To of those guys still remain in the Holy Grail line-up. Vocalist James-Paul Luna (who also played alongside Jon Leon in the band Jet Fuel) and drummer Tyler Meahl have proved that there is life beyond White Wizzard. Guitarist Alex Lee (formerly of Bonded By Blood), guitarist/vocalist Eli Santana and bass player Blake Mount fill out the line-up. Alex Lee is new to the band and shares lead guitar duties with Eli Santana. Those leads are what make "Ride The Void" such a good album. It's been three years between releases and the reality is "Ride The Void" is only the band's second full-length release. I can't say if 2010's "Crisis In Utopia" was any good or not as I've never heard it, but here at least the band plays to their strengths while backed by a superb production. Speaking of which, this was produced by Matt Hyde (Slayer, Children of Bodom), mixed by Mark Lewis (All That Remains, Trivium) with mastering done by Alan Douches (Baroness, Firewind, Mastodon). The three of them have helped Holy Grail achieve that perfect sound. Back to what makes this album tick (or rather shred!) and it has to be noted just how good the two guitarists are together. Like I said those leads are nothing short of sweet! They are definitely from the Iron Maiden twin-guitar school of thought while this young band also seems to nod their head (or thrash their heads!) in appreciation towards the likes of Dio and Judas Priest. If you think this is just more retro-metal worship though (like their previous band White Wizzard) it's far from it. These guys come to the party ready to thrash!  If anything I find Holy Grail's new album to be better then anything White Wizzard every put out! You could call this thrash inspired by classic metal and N.W.O.B.H.M. if you like. Maybe that description might be meet with some skepticism. I'd understand that. Any band that was formed by ex-White Wizzard members (who are then said to be inspired equally by Iron Maiden and Metallica) that is described as classic heavy metal meets classic thrash would make me pause to question such a claim. While certainly not as classic as either (or at least Iron Maiden and early Metallica) these guys are on their way to be one monster of a band. With two great lead guitarists and a rhythm section that is simply crushing you have a winner right there. But then you go and add this excellent lead vocalist who knows how to hit all the right notes. What does that add up to? Right there is enough for me to say there is no telling how far Holy Grail could go. These guys have broke away from the retro-this or retro-that crowd and instead have forged their own identity from the ground up. "Ride The Void" is the sound of a band that gets it. And this is just the band's  sophomore album! How scary is that?

Crashdiet-The Savage Playground

Frontiers Records
2013

Having heard the single "Cocaine Cowboy" I really thought I had a general idea how this album would end up sounding. How I thought I could guess that given that all of the band's previous albums have sound different then each other I don't rightly know. Even so I thought this one would be a straight walk along the lines of the band's familiar fusion of glam metal and punk rock. It turns out I had no idea how the band's forth album would sound. Here's another occasion where I gladly admit that I was wrong. First off it should be noted that this is the first time around the band has had the same line-up on back to back albums. There's something to be said for that kind of consistency of course. Even more Simon Cruz is the first singer to be featured on back to back Crashdiet' albums and that little bit of consistency goes a long way towards making "The Savage Playground" sound all the better. To be fair I'm still not sure if this one is as good as their first album. That was one killer debut though so it would be hard to top it. But the thing is the band's last album was a really good mash-up of sleaze/glam/punk/metal so this has been a fairly consistent band when it comes to releasing good material. Sure, "The Savage Playground" might not stack up to the group's debut, but it's probably my new, next favorite album so that says something. It's strengths lie in the fact that it's not the same song over and over again. "The Savage Playground" features some of the most diverse material you're likely to hear from a "glam" band making it a fun listen. Over the course of 13 tracks this Swedish band takes advantage of having  the same singer/same band twice in a row by getting adventurous. Sure, so far each new Crashdiet album has been different. They have all struck a different pose. This one though feels MORE different. The single "Cocaine Cowboy" suggested a truly sleazy rock outing. So thinking that the band would play to that crowd would be a fair assumption. The thing is though this is a band who is influenced by a lot of different bands. Kiss, Guns N' Roses, Skid Row, G.G. Allin, Poison, Ramones, W.A.S.P., Motörhead, Alice Cooper and Mötley Crüe all come into play. Take the opener "Change The World". It reminded me somewhat of a mixture of the first two Skid Row albums. It's quite a far ways off from the sleaze of "Cocaine Cowboy". Then there's "Anarchy" that, despite what the title might suggest, is almost straight-up hard rock. "Circus" actually finds the band in a headbanging mood while "Got A Reason" is a street rocker you could almost imagine being a punk anthem if it had more of a raw twist. "Snakes In Paradise" is early Vince Neil and company before "Dr. Feelgood" ruined them. "Drinkin' Without You" might be a song that hits a little too close for comfort for me, but it's also a song that sounds different then all the others. It's hard rock/heavy metal with an almost AOR gone punk vibe. Weird but cool. That's the beauty of this album. It's never the same thing twice. Even the last three albums all sound a bit different. "Damaged Kid" and "Excited" might be both sides of the same coin (this is the unmistakable sound of Crashdiet after all!), but they do enough to make them both enjoyable in their own right. These 13 tracks wrap up with the strong number "Garden Of Babylon". While it's not the only song on this album to show off the inventive guitar playing of Martin Sweet (as his playing is top-notch and creative through-out this album) it's a telling statement that Crashdiet are not afraid to get their hands dirty trying new things. At a little over 7 minutes it's as close to epic metal as Crashdiet could possibly get. It should go without saying that bassist Peter London and drummer Eric Young are also as good as ever not only on a track like "Garden Of Babylon", but on every track here. These guys make it all sound so easy as they transition from one new sound to the next. When you have a band that is as talented as this band is though maybe it does come that easy. With the band set to go on a worldwide tour in support of this new album (their first such adventure!) maybe Crashdiet will finally be able to truly break out among the pack. They have four albums to their name now and, despite the tragedies, sound as ready as ever to make their mark. Here's hoping they have nothing but success as they deserve it.

Hatriot-Heroes Of Origin

Massacre Records
2013

Well folks get ready for here it is. Finally. This was a long time coming so it was indeed a pleasant surprise to find this album hidden amongst the promo at Haulix. It's funny as I was just thinking about Hatriot the other day. Weirdly enough I had just about made up my mind to try to drop Hatriot's founder a note to see what's what. Said founder of course is the one (and truly only with that voice!) Steven "Zetro" Souza. With time spent in some of the greats ( he's had stints in Legacy, F-Bomb, Testament, Dublin Death Patrol and Tenet as well as his two stints in Exodus) Steve Souza is truly a legend in the eyes on many. You can count me in that group. His work with Exodus alone is enough to place him amongst the best of the best when it comes to thrash metal vocalists. His fame is already cemented for all time so a band like Hatriot can only add to that legacy. Before we get into the who's who of  Hatriot and the band's sound it's worth noting that the album was produced by Juan Urteaga at Trident Studios (Testament, Heathen, Exodus, Skinlab). Juan Urteaga has worked with some great bands. Far too many to count. So his expertise comes into play on Hatriot's debut album. In his skilled hand's Hatriot has unleashed a great-sounding album with an almost classic thrash production job. It's not overly slick which I like. At the same time it chives it's goal of letting all the pieces fall together in place. It allows the band room to breath while keeping everything in check. While it has nothing to do with the product inside the cover art and booklet was designed by Mark Devito. Again the band choose to work with someone who has been there and back with some choice bands like Motörhead, Lääz Rockit, Ruffians and Exodus. Yes, Exodus. That brings up one point about "Heroes Of Origin". If you are like me and you grew up with those first couple of Exodus albums then Steven "Zetro" Souza will always be the voice of the band. As such you can't help but draw a line between Exodus and Hatriot. That is no knock on Hatriot though. If they can pull off something as killer as early Exodus then you know you are on to something. I'd thus argue that Exodus is the first point of reference, but there are other bands that come to mind. Bay Area thrash is a good place to start. Keep in mind that these bands I will talk about next should all be classified as "early". You know, early Bay Are thrash. Early Heathen, early Metallica, early Testament, etc. Early Bay Area thrash like Forbiden, Vio-lence, Sadus and Death Angel are essential points of reference as is early Anthrax and Lääz Rock (especially around the time of "Know Your Enemy" and the absolute classic "Annihilation Principle"). If you can imagine it Hatriot are a little of all those bounds with a nice chunk of prime Exodus as the main ingredient. By that I mean that this is one fantastic thrash album. It's as simple as that. Love classic thrash? If you answered yes then that is all you need to know about this album. Even so it wouldn't be right if I didn't mention the background players in Hatriot. Steve is aided by four very talented musicians-three of whom are fairly young. You have the young guitar wizard Kosta Varvatakis. I assume he does the lead work on this album and, if that is indeed the case, he is a truly excellent guitar player. Helping him out is guitarist Miguel Esparza. These two guys know their stuff. The guitars are everything you love about classic thrash. They are fast, furious and above all fun! Just like the thrash bands of old! So, that is the guitars which brings us to the rythm section. Here we find the other two young players. The rhythm section is filled out by Steve's sons! Yes, Steve's son's (Cody and Nick) handle bass and drums and they do a damn good job at it! Cody takes care of the bass duties while Nick takes the drums. Talk about a great family activity! What is it they always say? Oh, now I remember! The family that thrashes together stays together! Yes, that it about as cheesy as it comes, but this music is anything but cheesy. With two great guitarists and an excellent rhythm section to aide him this heavy metal legend has created an album for thrash fans young and old. "Heroes Of Origin" is a great new start for Steve Souza and a sign that he still has plenty left in the tank. With his sons thrashing away at his side Hatriot is a new band to keep an eye on. Welcome back into the spotlight "Zetro". You've been sorely missed!

Hëssler – Comes With The Territory

Self-Release/Independent
2012

It was a year or so again when Chicago's Hëssler dropped their "Bad Blood" EP. What a difference a year made! Is this really the same band? For the most part yes. Unless I'm mistaken only Frankie Snakes Stripada (lead/rhythm guitar and vocals) and Eric Michaels (bass and vocals) are new to Hëssler. They join returning member's Lariyah Daniels (lead vocals), Igz Kincaid (lead/rhythm guitar and vocals) and Marcus Cox (drums and vocals). Last time around I almost had the impression that "Bad Blood" was the sound of a patchwork band. With these new players added on there is more of a sense of stability and continuity for these Windy City rockers. Does that mean the band has changed direction musically? In a way you could say so. The band's sound is still out of place in the modern world of metal. It's dated. There's still a lot of eighties metal influences swirling around in the mix. I still get the Lita Ford, Lee Aaron, Doro and Bitch vibes. You can't help but think that Lariyah Daniels and company keep a huge stack of eighties metal LPs lying around as inspiration. It's not just those female oriented bands that spring to mind though. Motörhead, Accept, W.A.S.P. Scorpions, AC/DC and other seventies/eighties acts creep in here and there into the sound. So yeah, it's still a style of metal that's a bit "outdated". But the good news is that pop/punk feeling I got with "Bad Blood" is almost gone. The only reminder of it is the constant use of gang vocals. That does get a little tiring after awhile. Maybe by the next album they will have figured out that a little goes a long way with that sort of thing. Let's hope so. Meanwhile the band has added in new little touches that really threw me the first time around. Instead of moving forward with their sound on the new album the band choose to look backwards for inspiration. In no way would I ever imply that these Chicago rockers strike the same cords as these greats, but it's fairly obvious from the first spin that Hëssler drew upon bands like Judas Priest and Iron Maiden for inspiration. Especially when it comes to the twin guitar attacks of Igz and Frankie! Those are straight out of Judas Priest and Iron Maiden albums! "Comes With The Territory" draws from eighties metal and the N.W.O.B.H.M. scene. I know that sounds crazy, but it's true. The more times I spin this disk the more I pick up on everyone from Raven to the Tygers Of Pan Tang! It's subtle of course, but it's there nonetheless. "Comes With The Territory" is the sound of a young band emulating their heroes. The band might still have a long way to go as far as creating their own sound, but when you hear the leap from "Bad Blood" to this (and in only a year!) you can't help but envision their next album being a stone cold killer! "Comes With The Territory" is a really good album from a completely unknown band. Truthfully, if I hadn't read a review of this album at Sleaze Roxx first I wouldn't have even known it came out. It just about slipped through the cracks. One brief listen to it's samples though was all it took for me to go out and buy the album last week. Since it's been in my possession I've probably listened to it 3-4 times so it is a good heavy metal release and one that I'm glad to recommend!


http://www.hesslerchicago.com/


http://metalmark.blogspot.com/search?q=H%C3%ABssler-Bad+Blood

Otep-"Apex Predator" Single

                                                                     Victory Records
                                                                             2013

Every once in awhile some band will come along and release something so terrible that it boggles your mind. Your left wondering "Why didn't someone step up and say this is a bad idea?" before you begin to take stock of your own life and say "These people get paid for this? Where did I go wrong?". "Apex Predator" is the single biggest pile of crap I've ever heard. It's not like Otep weren't once sort of metal. They were. Or at least sort of metal in a nu metal kind of way. Here all Otep Shamaya does is talk. Maybe she is trying to rap. I don't honestly know. Either way it's shit. Pure shit. This song makes me actually yearn for nu metal and I put nu metal in the same company as I do my ex-wife! I can only imagine how terrible Otep's new album is going to be if this is the album's "single". I close with this open-letter to Otep and her band.

Dear Otep,

Please just break up if you are going to put out music like this. Do it for you fans and the metal community as a whole.

Sincerely,
Heavy Metal Fans Worldwide

Sink-Holy Testament

Svart Records
2013


Why is it that five of the six pictures that came with this promo featured a guy's butt? Really? That's the best you could come up with? It isn't so much shocking as it is a "and your point is?" moment. It's really not the first thing I want to see when I open an email and it doesn't really inspire me all that much to listen to the album. Being the "professional" that I am though I trudge on naked butt and all. Your backside be damned I say! I will listen to this album!

 So I did. I listened to it once and then I listened to it twice. No, I wasn't trying to find out if Sink was naughty or nice! I was simply tying to come up with some kind of reasonable response to Sink's "music". For the record I've heard this name before-somewhere, sometime. Maybe I've covered them before and don't remember how or why, but the sound sticks. Sink are black/sludge/noise/whatever. Only this time they toss in a little who-knew, voodoo in the form of psychedelic...whatever. It's not like it makes it any more mainstream or easier to digest. It's still some weird shit from what is obviously a weird-ass band (pun intended). This is the kind of band your either into or not going to get at all. I can't see anybody suddenly "getting into" Sink as they inhabit their own little universe of weirdness.

ASTRONOMIKON - DARK GORGON RISING

Pure Legend Records
2013

Astronomikon are a new act from Greece. To be precise they hail from Cyprus.From Cyprus? Yes, I said the same thing. I never realized this large island had a thriving metal community. Turns out that I need to pay better attention! Paris Lambrou (bass) and Nicholas Leptos (vocals) formed this band back in 2008. The pair had previously shared time together in the bands Arrayan Path and Prodigal Earth. With Astronomikon (a mouthful of a band name!) the goal was to form a band that tackled myths and legends. You know, gods and heroes, monsters, mythical creatures, etc. That kind of stuff. Previous to this album the band released a 3-track, 2010 demo (also called "Dark Gorgon Rising") and appeared on the Cyprus Metal Scene United compilation CD released by Cy-Metal.com in 2011. That CD actually featured the pair's previous band, Arrayan Path, as well as groups like Lethal Saint and R.U.S.T. That's not bad company to keep if your a young band! Anyway, for this new album the pair sought out some like-minded musicians.That call was answered by guitarist Socrates Leptos and drummer Stefan Dittrich. Incidentally those two musicians also played in Arrayan Path so there was plenty of chemistry to be found all around. The band's full-length debut might be a concept album about the myth of Perseus and Medusa, but you don't have to even like concept albums to appreciate the material. I'll admit that since this was a Greek band there was fear on my part that "Dark Gorgon Rising" would be boring Epic metal. More then anything though this 4-piece band blends power metal (of both the American and European variety) with the sounds of a band born and raised on traditional heavy metal. As AC/DC put it "Hail hail to the good times". Astronomikon actually seem to hail from the city of "I know it's only heavy metal, but I like it!" as under some fancy riffs and soaring vocals is a band that knows you've got to rock to stay alive. Clearing these guys won't be confused with any of the retro-metal loving bands out there these days as there is still a glowing amount of Euro-style power metal. Some hardliners would even argue that it still constitutes epic metal. I'd counter that the songs are constructed in such a way that you can't help but notice a band that really likes old-fashioned heavy metal. In the end this one will be up to debate as to what genre exactly the music should fall into, but there shouldn't be any debate that it features well-crafted, well-played heavy metal.

 

Joel Grind-The Yellowgoat Sessions

Self-Release/Independent
2013

Joel Grind is a man of many talents. This musician/composer has run two record labels (Nuclear Hell Records and Witching Metal Records) and has written music for movies, TV, video games and commercials. He's also the founder of bands like Toxic Holocaust & War Ripper. This is a name your own price digital download in which Joel handles all of the vocals and instruments. If you couldn't figure it out by the album art then "The Yellowgoat Sessions" finds this L.A. native loving thrashing about in a sea of black metal/speed metal filth. It's not all that different then say your bulk of similarly-minded blackened thrash acts that rely on satanic themes as their gimmick. Unlike some of those other acts though Joel has a way of making his guitar sound deliciously "garage thrash" in nature. It's raw and up front so it gives this recording an almost gritty quality. Joel Grind manages to blast-forth a style of blackened thrash that has the potential to actually be appreciated by those who are normally turned off by the thought of black metal. I'd wager to say that the time Joel spent playing in Toxic Holocaust made him see the affect straight-up thrash riffs can have when combined with the likes of Bathory. In fact the easiest way to describe this release would be a cross between Bathory, Toxic Holocaust, Venom and Slayer. You can hear it for yourself at the link below.














http://joelgrind.bandcamp.com/album/the-yellowgoat-sessions

Centerlink-"All it Takes" & More

Self-Release/Independent
2013

Earlier this month (Jan. 13 to be exact) I covered Centerlink's new song "Distant Voices" (link below). At the time I believe I mentioned that this Boston 3-piece was in the process of completing a new album. I'm still not sure if everything new (song-wise) they have posted on their Facebook page is it (track-wise) or if there is new material on the horizon. Either way here's the deal ladies and gentlemen: These 3 guys rock. Period. OK, let me elaborate. "All it Takes" is a bit like "Distant Voices" in that it's also heavy on the Rob Zombie-style metal while still maintaining it's own identity. Centerlink have always been able to draw on their influences (Metallica, Foo Fighters, Motörhead, Black Label Society, Pantera) solely as a template unto which they can easily convey their own style. On "All it Takes" Parky (guitars, vocals) lets loose with some sick lead guitar work. This is the sound of a talented and professional band at play. This is the kind of band who that can be as heavy as Pantera and yet still write material with rock and roll riffs. "Hopes and Dreams" is another example of how to put together a song that on hand is hard & heavy (in this case the band channels some Helmet) while still having a sound that fits right in with today's modern metal market. It's plain to see that this group has grown musically with each new song. All of the new material on display at their ReverbNation page shows improvement. The leads from Parky are more adventurous and Jon (drums) and Billy-K (bass, vocals) offer up a tighter rhythm section that is superbly grounded in heavy hard rock. Take a listen to "See a Change" and you'll hear how the pair not only hold there own, but give off their own bit of magic in the process. All 3 members of Centerlink have evolved in their playing as the new material is more mature. Of the new material the most curious number to me is the modern metal track "Withered". It's a love letter presented in the form of modern metal and it simply bleeds both passion and hurt. "Withered" is a move in the right direction for this band as it's something different. In a way writing a song like this is actual a risk. How can writing a modern metal pseudo-ballad be a risk you ask? Well, you face a potential backlash from your established fan base. The fall-out from writing a "ballad" can sometimes turn hardcore fans against you. In this case though it's right type of song for Centerlink in that it shows they can write a variety of music. While the album/new material is ready to be heard (link below) the band does not have the actual CDs ready yet. Hopefully that will be sooner then later.

http://www.reverbnation.com/centerlink










Review of "Distant Voices" and link to other articles on the band:


http://metalmark.blogspot.com/search?q=Centerlink-%22Distant+Voices%22

Prowler-After You

Slaney Records
2013


Growing up I never heard the term "horror metal". Supposedly it was first used to describe the music of Death SS. Even if I had never heard it described in those exact terms I always knew that heavy metal and horror went hand in hand. Not so much in the way Alice Cooper and Kiss mixed the two (and bands like Gwar and Lordi still do), but in the way in which heavy metal has featured horror-related topics (serial killers, monsters, demons, etc) pretty much since the beginning. The two things have long been on good terms then. They have managed to forge a really good relationship in fact. So much so that new bands seem to be popping up all the time playing (specifically) horror metal. Myrtle Beach, South Carolina's Prowler (not to be confused with the millions of other bands world-wide who also have used that name!) came to my Inbox from of the one and only Metal Mark. He sent me advert about Prowler and, in a matter of no time at all, I was getting to know this latest horror-related metal band for myself. Here's what I found out. This 3-piece act was formed back in 2010 and, previous to this 9-track album, released four EPs. All of the EPs seem to have been based on particular horror movies (Friday the 13th, Phantasm, etc.) with this new album tackling the subject of horror in a much more "creative" fashion. In other words the songs seem to be more about horror in general and less about any particular horror movies. The other point of interest is that while the band is definitely horror metal is name they really have more to do (at least musically) with bands like Metallica, Slayer and, to a lesser extent, Danzig. It's a good combo package though. Thrash metal and horror movie related topics work well together. Not much more to it then that. Honestly I haven't heard every song off of "After You" as I am going off information gathered from here and there, but I've heard enough to tell you it's your above-average, standard thrash/heavy metal band with quirky lyrics and an obvious desire to have fun. All of that sounds good to me. You can check out a couple of their songs for yourself and order the album at the link below.  




http://slaneyrecords.bandcamp.com/album/prowler-after-you

Wasteland-Wasteland (Demo)

Self-Release
2013

Does anyone out there remember the old computer game "Wasteland". That was the first thing I thought of when I came across this Spanish act. Not that this Wasteland has much in common with the original post-apocalyptic game. Instead this band play's very raw and sloppy speed/thrash. This demo was self-released on tape and limited to just 33 copies. There is a digital download available and, even better, it's free! Not that this is much of a gem or anything (or that you'd even want to pay for it!). This raw speed/thrash act is a one man project. Lolowar Necrovomitor handles everything (Vocals, Guitars, Bass, Drum Programming) and, in addition to some original material, there are two covers. One of the covers is "Hell on Earth" by Toxic Holocaust. Or it attempts to be. You've just got to trust me here folks. It needs to be heard to be believed. Listen for yourself if you dare:


http://atomikwasteland.bandcamp.com/

Cardinals Pride-Priorities

Self-Release/Independent
2012

Fancy some free melodic hardcore/metalcore? How about some good melodic hardcore/metalcore? Yes you say? Then here's the 4-track EP, "Priorities",  from Quebec's 6-piece band Cardinals Pride. Yes, they really are a six-piece band. I stumbled across this one this morning and found that it's simply too good to keep to myself. Sure, you do get some clean verses harsh metalcore vocals that may (or may not based on your personal tastes) be played out, but when it's backed up with quality melodic hardcore mixed with heavy metal guitars how can you possibly complain? Especially when it's free!



http://cardinalspride.bandcamp.com/

Forgotten Gems: Wild Pussy-Mechanarchy

Metallion
1989

If I ever win the lottery (or the Mega Millions to be exact) one of the first things I would do would be to form my own record label with the sole intent of re-issuing albums like this. Or in Wild Pussy's case I would be re-releasing their lone EP. Hailing from the United Kingdom (Cardiff to be exact) this five piece band was formed in 1986. That would have made them too late for the N.W.O.B.H.M. scene that had taken over  Great Britain. Why does that matter? Had they formed a few years earlier they could have easily rode out the wave thanks to their raw Raven/Avenger meets Motörhead (by way of early Metallica) sound and their ability to write damn fine metal tunes. While I'm not sold on the band's name (I'm sure it went down like gangbusters with the ladies) the four tracks on this EP are nothing short of killer. Opening with a number like "Ready To Strike" is always a good sign that you are in for a heavy metal treat. "Ready To Strike" is raw thrash/speed metal along the lines of Raven. That is if Raven was a five-piece band intent on punching you in the face with pure eighties metal! It features a catchy chorus and insane lead guitar work. "Hatred" is the sound of Motörhead as interpreted by an early eighties thrash band. "The Vigil" is early Megadeth with almost punk-like vocals. "Evil Speak" is probably my favorite cut of the four as it's pure eighties power/speed metal with a gritty edge. While the band did release a a 3-track demo in 1987 (the ever so original titled "Demo 1987"!) this seems to be all she wrote as far as the actual band is concerned. The Metal Archives mentions a 11-song demo that was released in 1991 under the name Religion. That demo seems as if it was essentially Wild Pussy minus one of their guitarists (Rob Webber) and it even featured a remake of "Hatred". However no link is provided so what it sounded like is left to my imagination. As for this actually EP though I've provided a link below so you can hear it for yourself. This one goes for insane prices on Ebay (close to $300 for a vinyl copy this album?) so obviously my personal copy is on CD. I picked it up on Ebay and it's part of the "Forgotten Metal" series of compilations put out by Revenge Of True Metal. Wild Pussy appears on Vol. 18 of the series (1993) along with the self-titled 1984 EP from Sweden's Parasite (itself a killer gem of a heavy metal EP which I hope to cover down the road!) and the N.W.O.B.H.M. album "Widow". While that 1983 album is credited as "Widow" by Widow in reality the band was called Ritual. That is beside the point though. I only make mention of this CD comp. as it's your best chance to hear/own this EP. Even the CD isn't really that cheap (it usually goes for over $20 on Ebay) as it's an import. Anyway, the Metal Archives also says that some time after Wild Pussy's called it a day vocalist Jon Blood (Tony ?) and guitarist Red Skies (Lyndon Price) formed the industrial metal/rock band Damaged Gods. As for where they are now? Lyndon Price reportedly runs Red Rock studios in South Wales, but otherwise who knows about the rest? It's a shame that this EP (which again is insanely killer) goes for such a huge amount. I'd love to see this one re-released/re-issued with that 1987 demo (and even the 1991 Religion demo) added on. It will never happen as it's just a pipe dream of mine. Still, if you see either the vinyl or split CD at a reasonable price don't even hesitate. Just pull the trigger, scoop it up and enjoy this forgotten gem of a heavy metal/power/thrash metal release.



https://www.youtube.com/watch?v=8h75a81RK7g

Grayceon - Pearl and the End of Days

Flenser Records
2013

There are just two tracks on Grayceon's new album. And yet it's 30 minutes in length. Can you call it an album though with only two tracks? I guess that's open to debate. At the link below you can hear "Pearl" which is all I have heard so far from the band's new "album". "Pearl" and "The End of Days". It's thirty minutes in length with just those two tracks. The music? Well, this 3-piece "metal' band are a bit left-of-center to begin with. While they feature a guitarist and a drummer (Max Doyle and Zack Farwell respectively) the third member of the band (Jackie Perez Gratz) plays the electric cello. That's a bit different you could say. The new material is said to be far more in tune with Grayceon's "rockier roots". Since this is my first taste of Grayceon I can only go by what I hear on "Pearl". That's more then enough material I would need to make a judgement call on this 3-piece. It's enough for me to say that I truly appreciate the fact that the music is different, but in an overwhelmingly positive way. "Pearl" is epic metal in a way that's hard to put into words. The cello adds a whole different dimension to the music and gives it this air of grave even if the music might have been born out of post-rock and/or sludge metal. It's crusty along the edges in a way that's more post-punk and less overt punk. And yet there is no way you could deny the touching beauty that lies just under the surface. No doubt a huge part of that beauty has to do with Jackie Perez Gratz and the fact that her contributions to the album were written while she was pregnant with her daughter. While all three members of the band went into a sort of hibernation during the time-frame in which this album was constructed (2 years to be exact!) it is that maternal energy that so easily carried over into "Pearl". From the way things sound this will be a vinyl-only release with a limited number of lime green prints available for those of us into that sort of thing. If nothing else be sure to check out "Pearl" for yourself as it really does have a striking beauty all it's own!














http://alarm-magazine.com/2013/mp3-premiere-grayceons-pearl-a-string-sludge-epic/