Tuesday, January 02, 2018

Corrosion of conformity-No cross no crown

coccdnov
Nuclear Blast
2018

 This is the bands first album with vocalist Pepper Keenan since 2005's In the Arms of God and the first to feature this band lineup in nearly 18 years. Right away it's like they are right back where they were during the decade plus that Keenan was singing for the band. There's plenty of distorted riffs flowing while rhythms pound along behind them. Frequently they aren't afraid to reach back and pull 70's inspired hooks to propel the songs forward. The production stays just dull and fuzzy enough to really help the sound retain the sound that they are obviously aiming for. I have to admit that I got into this band in their crossover days in the 80's and loved them then. I have certainly embraced everything they have done since changing their musical style which started with 1991's Blind. However this albums was better than most from their stoner/doom days. I think that helped it the most is that there is a great variety of pace and styles on these tracks than on a number of their other albums. Fans of the band will likely be into this one for sure.

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Wednesday, October 17, 2012

Corrosion of confomity-Eye for an eye

efane
Candlelight
2012

Count me as one of those who definitely preferred pre-1991 Corrorsion of conformity. You know back in the 80's when they were a hardcore act instead of the mostly lukewarm stoner rock they have been churning out for over two decades. Their debut was originally recorded in 1983 and then released in 1984 and now it's getting another CD re-issue. First off this is not a classic like 1985's Animosity or 1987's Technocracy. Don't storm off just yet. This album is not must hear perhaps and if you are in the mood for polish and precision then you are definitely barking up the wrong tree. However this is raw sludge crossed with hardcore with lots of faults and holes, but also it's fueled by adrenaline and the desire to create heavy, fast smack you in the mouth kind of music. Much like DRI's first album this is a collection of shorts sports of music, noise and other creations. This album featured Eric Eycke growling, spitting and driving his sore throat through these songs. His vocals are the kind you are either going to love or hate. I lean towards the first choice as although I think the pacing of his vocals wasn't always on at least he sounded very excited and that goes a ways in my book. The rest of the line-up is the trio that went on to do Animosity so in case you are too young or have been living under a moss covered rock that would be Mike Dean on bass, Reed Mullin on drums and Woody Weatherman on guitars. So these guys were probably listening to Sabbath, Dead Kennedys and others as tried get their style together. Many of the songs don't sound like they were written or crafted as much as they just sound like four guys opened up and let rip whatever they had. What followed was a mixed bag with some songs like "College Town" or "Excluded' sounding like impromptu jams where someone should not have pressed the record button for other. Other tracks "Minds are controlled", "What?" and the title track show parts of the potential this band had somewhere beneath the surface. The parts of this album that have appealed to me since I first heard it over 25 years ago still draw me in now. The album is a mess in many places and it could used a bit direction, but then again the haphazard approach it part of it's appeal as well. This version like other also includes the "Six songs with Mike singing" EP which I highly recommend. Not a great album at all but if you like speed and and noise with some slowed down pieces thrown then you may like this one.

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Sunday, January 22, 2012

Corrosion of Conformity-s/t

COC_Final_Cover-e1323976910173

Candlelight
2012


Strap yourself in because this is liable to take a while. COC started out as a hardcore punk band in the early 80's and then they released their debut "Eye for an eye". "Eye for eye" was full of short bursts or noisy and fast tracks. After that the band parted ways with vocalist Eric Eyke and bass player Mike Dean took over vocals for "Animosity" in 1985. "Animosity" saw the band going to more of a crossover path with elements of hardcore. Then the band added Simon Bob Sinister to be their vocalist for the "Technocracy" EP in 1987 which was similar in style to "Animosity". After this we get into more drastic changes. Simon Bob left and bassist Mike Dean both left as well. The band replaced both guys and added a second guitarist in Pepper Keenan. The next album was "Blind" in 1991 and is was a huge style change. It was a stoner and doom mix which was a huge departure from where the band had been in the 1980's. The revolving door kept moving as vocalist Karl Agell and bassist Phil Swisher were out after one album. Mike Dean came back and Pepper Keenan took over on vocals. This would be the line-up they would have for most of the next decade and the sound would continue in a stoner style with southern influences mixed in. Early last decade drummer Reed Mullin departed and the band knocked out another album before the members left to do other projects although no one involved said COC was done for good. In 2010 it was announced that the "Animosity" line-up of Woody Weatherman, Mike Dean and Reed Mullin would reform and record. Last summer Pepper Keenan indicated he would like to record with them at some point on some "Deliverance" type material. So that brings us to 2012 and the band's self-titled release with a line-up that has not recorded an album together in 27 years and the first album without Pepper Keenan in over twenty years. That's their background and now I need to lay down my thoughts at them before I get to the new material. "Animosity" was the first album I heard by them and this was around 1986. It blew me away, the raw mix of speed and crazed vocals had me hooked. I heard the debut "Eye for an eye" next and admired the energy, but knew Animosity had been a step up. "Technocracy" was almost as good as "Animosity" and many of my friends preferred it, but I liked Mike Dean's chaotic style more than that of Simon Bob. Fast forward more than four years to the fall of 1991 and "Blind" comes out. All traces of hardcore are gone and the band has slowed down. Now I knew that they liked this style because Woody Weatherman always had that Saint Vitus sticker on his guitar in the 80's and he wore Sabbath shirts frequently at that time as well. However the new approach was a shock, it was alright but not what I hoped for. However for me the band got worse after that. Pepper Keenan seemed to take over and all traces of the band's early days were wiped away. Now I love stoner and doom, but` those next several albums from the band calling themselves COC were quite honestly dull to say the least. However they certainly became more popular during this period. I heard that the "Animosity" line-up was returning, but didn't hold a lot of hope that they would return to that style because it had been so long and they made more money going with the slower style. Now after that long rant I'll get to the music here. I have been playing this thing on and off for two weeks trying to pin down what I think. The album is a mix of the styles that the band has done during their long career. There are slow winding tracks and some fast ones, but it's not an even mix because there are definitely more slower tracks. So out of 11 songs we get four where they kind of step the pace up. "Leeches" is the closest they get to the "Animosity" style. They even toss in some guitar squeals on this one, of course the difference is here it was planned. It's a solid track even though Mike Dean's vocals are much more sedate than they were back in the day. "The Moneychangers" is a fast chugging track but nothing like the old COC hardcore. It's more of a southern rock with some charge behind and it has slow parts too. "Rat City" is fast, but slick with a decent groove going. "What we become" is probably my favorite track on the album. It's pace is similar to say material from "Blind" and "Deliverance", but the spirit and heaviness is closer to their mid-80's output. The result is a hard punching song with Mike Dean's vocals leading the way. The other seven songs are slow and of varying quality. Mike Dean sounds far better than Pepper Keenan and there is more of a doom sound mixed instead of just southern fried stoner rock. However some of these songs eventually go somewhere, but there is still plenty of filler. Like much of their output over the last twenty years there are too many songs where what I hear in the first thirty seconds is all I am going to get for the next four minutes. The riffs are decent, but they never really do enough to build the songs but instead just glide along. I have no problem with a band changing styles if they have something to really give in that new style and they attempt to progress. To me COC got worse with each album during the stoner rock period with this new release being the one exception to that. This new album has several good songs and this may be favorite album from them in a long time. However overall it's a rather average album because the number of memorable tracks are about equal with the forgettable ones. They claim it's a return of the "Animosity" line-up and it is just a return of the line-up, but not the sound other than on a couple of songs. Instead it's mixed bag of what they have dabbled in over the years. There are a few sparks, but this band will never be nearly as good as they were around 1985-1987.

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Tuesday, July 27, 2010

Battle of the bands

It is...

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Corrosion of conformity (COC)

VS.

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DRI (Dirty Rotten Imbeciles)

***Which band do you prefer?

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Wednesday, October 01, 2008

First day flashback number two

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Corrosion of conformity-Animosity

Several years before Pepper Keenan arrived and drug this band into stoner rock mediocrity they were actually at the top of the crossover heap. Crossover? For those who were not into the music at the time, this was a rather brief movement in the mid/late 80's where bands combined punk (usually hardcore) with metal (usually thrash). COC's debut "Eye for an eye" was a brief and noisy effort with only a few hints of what the band might be capable of. However by 1985 the band was down to a trio with bass player Mike Dean picking up the vocal duties. I think many people have different views on which line-up and album is COC's best. For me it's definitely this line-up and this album. Dean spews forth those throat searing lines and pounds ferociously as hit bass while Reed Mullin hammers at the drums while changing the beat at a moments notice. I still have no idea why this band ever thought they needed a second guitarist. The proof I need for that thought is how Woody Weatherman just flies through lighting fast riffs giving each song it's own personality. This is just an incredible album from a band who were at the top of their game at this point.

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