Jacobs Moor-All That Starts

Bleedingstar Records
2014

Self-produced by the band members themselves, "All That Starts" is the full-length debut album from Austrian metal act Jacobs Moor. Founded in 2010 by Richard Krenmaier (Speed Limit, ex-Stygma IV, ex-Surrender, ex-Big Heat, Della Street), Johnny Sommerer and Rainer Lidauer (ex-Far Beyond Innocence, ex-Marcin Suder), with both the studio line-up for "All That Starts" and the live line-up of this Vienna-based act listed below*, Jacobs Moor is another relatively new band whose sound and style covers many different genres. Influenced by the likes of Machine Head, Devil Driver, Leprous, Slayer, Testament, Judas Priest, Iron Maiden, Dream Theater, Pantera and Lamb Of God and being the benefactors of lead singer Richard Krenmaier's all encompassing voice this Austrian stretches modern metal and progressive/melodic power /thrash metal into all kinds of unusual shapes! As dark and oppressive as the music might be at times (and also as gloomy as the band members themselves intended the art-work above to convey!) it's also strangely illuminating making "All That Starts" a record well-worth visiting from time to time. Available pretty much wherever fine music is to be found these days ( iTunes, Amazon, Spotify, etc), "All That Starts" is a fine start for Jacobs Moor. Especially seeing as it does the band members and the metal community as a whole proud by offering up another much-needed soundtrack for this crumbling world for which we are all to blame...

 * Jacobs Moor's studio line-up included:
   Richard Krenmaier-vocals
   Johnny Sommerer-guitars, bass (except "Faceless Man") and cellos
   Rainer Lidauer-drums

  Along with the following guests:
  Werner Taus-bass on "Faceless Man"
  Günther Maier-2nd guitar solo on "Final Sound"

  Meanwhile the live band features:
  Richard Krenmaier-vocals 

  Johannes Pichler-guitars 

  Rupert Träxler-guitars 

  Stephan Först-bass 

  Rainer Lidauer-drums

Pantaleimon-The Butterfly Ate The Pearl

Grass Girl Music
2013

"The Butterfly Ate The Pearl" makes album number five for England's Pantaleimon. And Pantaleimon is really "just" Andria Degens. Or for the most part. There are some guest musicians, but really this is the living and breathing art work of Andria Degens. This singer/songwriter is also a multi-instrumentalist and a talented/inspiring one at that! And Pantaleimon is her vision. Now, describing Pantaleimon is both simple and complicated. Simply stated this release, which was co-produced with Hugo Race, is psychedelic rock. Well, slowed down, progressive (or downright experimental if you want to be technical about "The Butterfly Ate The Pearl") and slightly dark and melancholy psychedelic rock, but still, it is what it is. When you slice into an album like "The Butterfly Ate The Pearl" though you get the sensation that there is so much more to the music of Pantaleimon. If only you could put your finger on exactly what that extra something is. It's there and it's not as if it is hidden, but putting into words seems like a rather fruitless endeavor. So the best hope that can be offered is that for Pantaleimon, who are rumored to have evolved into a different entity with "The Butterfly Ate The Pearl", psychedelic rock is a means to an end. Perhaps Andria Degens has taken Pantaleimon and helped it to emerge from it's own cocoon into a beautiful butterfly? That very well could be the case. I can't say for sure where Pantaleimon was prior to a release such as "The Butterfly Ate The Pearl", but where Andria has landed with album number five should be duly noted and yes, praised. Even-keeled and easy on the senses, "The Butterfly Ate The Pearl" (as both an album and a title track) had all the hallmarks of a lazy Sunday afternoon, mid-summer, where dreams and reality collide and you take in the beauty of nature while wishing that moments like that could go on forever. That isn't to say that "The Butterfly Ate The Pearl" is all "sunshine and lollipops". It should be stressed that Pantaleimon's latest work, while on the lighter side of psychedelic rock, is darkly romantic. It moves about at it's own pace and it does so without the need to add fake layers of glittery kitsch pop. And for that, a fresh approach at honest reflection, "The Butterfly Ate The Pearl" is all the more pleasing and warrants repeated listens!

The Mighty Swine-Last Man Standing

Broad Horizon Records, Inc.
2014

Assembled in 2007 by bass guitarist Mike Skimmerhorn (Chastain, ex-Spike, ex-CJSS), Ohio's own The Mighty Swine, who are now on album number two with "Last Man Standing" (the first album, a self-titled affair, having been released in 2009), are a guitar-driven, hard & heavy/progressive metal band with musical influences ranging from Steve Vai to Megadeth (more on that bit later!). Besides Mike Skimmerhorn (who provides lead vocals in addition to handling bass duties) The Mighty Swine features the services of Stacey Donahue and Jeff Tong (guitarists) and Rory Faciane (drums). Both Stacey Donahue and Rory Faciane are new to the fold since the band's 2009 release and with this new 11-track album following in the footsteps of 2012's (well-received and most-assuredly recommend!) "Lust" single the pair more then proof their worth on this hard hitting release! Recorded at Fat Track Studio in forest Park, Ohio, and with producer Rob Nadler once more at the helms, "Last Man Standing" is a nail-biting excursion into the world of politically-charged heavy metal where the messages are never lost in translation! While the band pulls off a spike-studded, note for note cover of the Judas Priest classic "Hall Bent for Leather" with power and passion on this new album it's actually the group's original material that reaches out and grabs you by the throat! Starting with "All That is Evil" Mike and his comrades arm themselves for an absolute throw-down and even at this album's earliest moments it's clear as day that this fearsome four-piece has no plans for taking prisoners! Musically album-number two ups the ante and if 2009's self-titled release was a tossed hand grenade into the heavy metal scene then "Last Man Standing" is a full on barrage of utter mayhem! Even as their own music carves itself a nice niche in today's scene an observation must be made and this one is by no means a bad thing! From "All That is Evil" on the music of "Last Man Standing" has a distinctive Dave Mustaine vibe going for it! Wait, what? Yes, as personable as Dave's writing is that same kind of refreshing, heartfelt feeling can be found in the lyrically-approach to "Last Man Standing" as well as in it's vocal delivery! And again, this is by no means a bad thing as Megadeth's material has long proven to be amazing from a personal perspective. Granted, The Mighty Swine does carry a bit of a torch for Dave and his crew in other ways as "Last Man Standing" feels (on occasion) as if it could be a cross between Megadeth and Metallica if (and only if!) said bands were more akin to the likes of classic hard rock and heavy metal bands (Ozzy/Black Sabbath, Judas Priest, Rush, Deep Purple, UFO, Armored Saint, etc). Otherwise, as evident by original compositions like "Two Graves", "Empty Shells", "Last Man Standing" and more(!), The Mighty Swine march to the beat of their own drummer which, in this case at least, is one who never let's things settle down in the least! There's that and then there's new guitarist Stacey Donahue and what he brings to the mix. Said to be influenced by the likes of Randy Rhoads, Yngwie Malmsteen and Eddie Van Halen* his guitar playing most certainly adds an extra dimension to the music at hand with more then a few of these cuts ("Empty Shells", "Tomorrow", "Vengeance is Mine" and the title track again) perfectly crossing over between progressive hard rock and true, traditional heavy metal! And that's pretty much what listeners should expect when it comes to The Mighty Swine's sophomore undertaking. Much darker and decidedly heavier/technical in it's approach, "Last Man Standing" is NOT the same The Mighty Swine as heard on the band's 2009 debut output! "Tomorrow", "Vengeance is Mine" and "Dead Man's Stare" point towards a band that has progressed beyond their hard rock/heavy metal roots and has now fully-embraced HEAVY, guitar-driven and highly rhythmic, METAL that is a far lot closure to the likes of Megadeth and Metallica then the band's debut could have ever imagined! While Chastain might just continue to keep Mike Skimmerhorn busy by day (and no doubt provide a more stable paycheck along the way!) The Mighty Swine (who incidentally have a bit of a older, classic metal vibe about them and could almost be described as "retro" if that wasn't such a puke-inducing word these days!) is a cool vehicle all it's own! And besides, if ever it doesn't work out for Mike with Chastain then you couldn't ask for a better safety net then The Mighty Swine! For this is one band that could easier be more then a side-project!

*A special thanks to Hard Rock Hideout for the background info on The Mighty Swine's two newest members (there was a lot of research that went on on my end in between waiting for the album's complete track listing to arrive!)