Wednesday, November 16, 2011

Interview with Salem (UK)



As many of you regular readers know by now I am a huge NWOBHM fan. With that said it is always a thrill for me to talk with various bands from the scene. Salem were a band that were considered to be part of the movement even if their sound had as much to do with rock as it did with heavy metal. Of course that was the great thing about the movement as some of the best bands were all different in style and sound. Despite never getting a proper release the first time around (Salem released several demos and a single in the early eighties) that has been rectified thanks to High Roller / Pure Steel Records. Could you possibly ask for a better compilation that Salem's "In The Beginning"? It collects the band's previous recordings and tacks on a bonus cut for good measure. Prior to it's release if you wanted to add Salem to your collection the only realistic thing to do would be to search for MP3s from the band. You'll understand why after reading the interview below. Let's just say that single alone was a bit of a rare one. With a nice booklet and 2 discs full of material "In The Beginning..." is a great addition to any serious NWOBHM collection or just those looking for some great rock/metal! By the way the band had to add the "(UK)" to the back of their name to avoid confusion with and to reduce conflict with the Israeli band of the same name. So, with all of that said recently I was able to talk with Salem's Paul Macnamara (guitars), Ade Jenkinson (bass) and Mark Allison (guitars). I want to thank the band for taking the time to sit down with Heavy Metal Time Machine and chat.






Andy: Let me start off by saying that Salem's latest material sounds killer. You were away from the scene for over 25 years. How does it feel seeing Salem back together after all that time?



Paul: It feels great to be playing together again. When I was approached to release our 1980s recordings - on what became the "In The Beginning..." album - we all got together (for the first time in over 25 years) for a chat and few beers [Mark: I think it was several!!] - ha, it was just like the old days. With the release of the album, the next thing was to play a gig. Starting our first rehearsal, we were a bit rusty but very soon we just "clicked" like we'd always been together. And, now with our first recordings in 28 years - and with more gigs in the pipeline - we really feel we're Salem again.



Mark: Yeah. Being back with the boys is great.



Ade: For me, it felt very strange and awkward at first - but not for long ! After a couple of days it felt like we had never been apart, all the old, old jokes and banter started coming out, but more importantly, the music was just as good as ever.





Andy: Salem was formed out of the ashes of NWOBHM cult act Ethel The Frog. What was it like to be featured on two of the most important NWOBHM compilations of all time? The "Metal for Muthas" compilations played such an important role in the development of the genre.



Ade: To be fair, none of the current members of Salem actually appeared on Metal for Muthas (although the current lineup is certainly the 'classic' lineup from the 80's). The two original founding members of Salem were ex-ETF, but they both left the band after a short time.



Paul: Yes, that’s true. However, when we were starting out, the fact that we had that heritage to build on, really gave us a certain gravitas - and is probably still important today.





Andy: You released your first demo in 1981 followed by the "Cold As Steel/Reach For Eternity" single in 1982. The current market value for that single is $120! That has to blow your mind eh?



Paul: I couldn't’t believe it at first! But since, we’ve seen one single sell for nearly $1000 on Popspike – and it’s also in the “Rare Record Price Guide”, which is really cool.



Ade: And I’ve seen another sell for $500 recently. It's amazing to think some people still care about the music we made back then.



Mark:  We only had 500 singles pressed, so I suppose it’s rare from that point of view. But what has got people really interested is the 25-or-so with a (so-called) "special sleeve."



What happened was: we’d had some posters printed with the 'demonic' image and Salem logo so that the lower section was blank for us to write - by hand - and advertise the upcoming gig(s). Now I was “in charge” of sending the singles out around the world, and after our last gig I still had a few of these 'blank' posters left over, so I sent out a few of the singles wrapped in the spare posters. I would never have guessed that these would be so sought-after!!



Andy: Even though you guys are considered to be a part of the NWOBHM scene you don't fit in with the Saxons/Iron Maidens of the genre. Your sound was more classic rock in nature. While it was hard and heavy it featured quite a bit of guitar rock and progressive moments. What were some of the influences that Salem drew from?



Ade: Sabbath, Rainbow, Led Zep, Hagar for me (at the time).



Paul: Yes, I’d totally agree with those. I was (and still am) keen to get the most out of using the two guitars – so for me, other great influences were Thin Lizzy and Wishbone Ash. And the more progressive hints, may well have been inspired by Rush, Kansas or Barclay James Harvest – but could well come from Brahms, Tchaikovsky or Borodin!



Mark: I was particularly influenced (and I suppose, I still am) by the likes of Van Halen, Ozzy Osbourne (or more’s the point, Randy Rhodes), Extreme and Def Leppard (esp the Pyromania album)



Paul: I must say that we are very pleased to be considered part of the NWOBHM movement. I was a very important period in the development of hard/heavy rock/metal -whether it was the more thrash-style that echoed the energy of punk like the early Maiden, or the much more melodic rock of guys like Praying Mantis [did you know that Simon (Saxby) is good mates with them ?]. It was about being heavy AND creating music, at a time when the alternative was the New Romantics!


Andy: Does it bother you that you've had to take on the "UK" bit these days? You were the original Salem after all!



Ade: It's an annoyance - as you say, WE are Salem, but I guess it's a bit unreasonable to request the whole music fraternity to stay away from our name while we hibernate for 27 years.

Andy: The "In The Beginning" compilation does a great job of introducing people to Salem. My question is what took everyone so long to catch on to your sound?



Ade: We couldn't get a deal! How ironic that 27 years after the fact we now have what we always dreamed of back in the 80s!



Mark: It was great to have our 1980s music released on the “In The Beginning” album –I always dreamed of having double, gate fold album. You’ve got to remember that all that music was recorded and mixed-down in only four days! Now, we did play plenty of gigs and always rehearsed hard so we were able to record much of this music on the first take – it was basically recording the band live, and adding vocals and extra guitar lines afterwards – up to five songs in a day! Some of the recordings are stronger than others – but I suppose all albums are like that. It is interesting to see how Salem developed as a band, and in terms of musical ability and songwriting maturity, over a very short period. … and it’s awesome to see how well it has sold, too.





Andy: How did the compilation come together?



Paul: I have always played guitar and composed music. A few years ago, I started dabbling with some recording at home. At the suggestion of my brother Phil, I uploaded some of my music to MySpace - then also at his suggestion I also uploaded some of our Salem recordings. I was surprised that very soon people were listening to this music and subsequently I was contacted by a number of these, including High Roller Records who were keen to release all of the Salem recordings. So I worked with High Roller to put out the vinyl edition – and we linked up with Pure Steel Records for the CD version. I really enjoyed working on the album arrangement, the sleeve notes, and cover design – the record companies were very happy with these ideas. And you’ve got the final product in your hands!



Andy: Where you guys ever close to signing a contract with a label?



Ade: Sadly no.



Paul: Well, we visited a number of record companies – but only got the answer, “Yeah. It’s really good – but not quite what we’re looking for.”



Mark: I remember that we had some fun though - going down to London, having a few beers and sleeping on friends’ floors at night, and bothering these record companies in the day – but we got no contract.



Andy: With Salem re-formed now after all these years what are your new plans?



Paul: Well, after our first gig we all wanted to do more, so we decided that we would first record some new Salem music and arrange some select gigs. We’ve been delighted with the great reception to the new recordings – and we’ve started securing appearances at festivals in Europe, such as “Up The Hammers” in Greece, and the “Metal Forces Festival” in Germany. We’re now working on more new pieces, and looking for the next opportunities to play suitable gigs and festivals. Perhaps following bands like our friends Jaguar are doing. [Hey - I know that they're keen to play in the US too!]



Andy: I've already mentioned how solid the new material is. It is modern enough to appeal to today's young rock and heavy metal fans while still retaining that classic edge. Was it hard to just pick up and start again or did you find the magic was still there?



Ade: Frankly it was easy. Four of us are prolific songwriters and to be honest I will be surprised if the speed of recording ever catches up with the speed of the writing!

Paul: And I'm pleased that you feel our new music is appealing to today's rock fans too. Well, we all have kids and they are keen to keep us up-to-date, you know "Hey Dad, have you heard the album by So-And-So" or "You must go to see So-And-So - they're awesome." Whether it's Avenged Sevenfold or (I don't know ...), My Chemical Romance or Paramore. It's all cool!


Andy: Fill us in a little on what you were up to post-Salem.



Ade: Where do I start? Married, 4 kids, 9-5 job for many years, made redundant 3 years ago, went self employed, never looked back. In terms of music: Formed Kashmir with Simon, gigged and recorded in much the same way as Salem used to. After that, formed Mayfair with Simon, the music was a bit lighter, more melodic, managed to get a deal with Link Company based in France, recorded an album at the famous Marquee studios in Soho, regrettably it was never finished, due to the old chestnut of 'musical differences’. I continued Mayfair with another singer, John Lynas, and we self-released a vinyl EP. A couple of the Marquee tracks made it to the EP. I continued to keep my hand in, in terms of engineering and recording, working occasionally at various studios. Built my own studio last year, just in time to record Salem's new album!



Paul: Yeah. Got married, had two kids, gathered a bunch of professional and academic qualifications and tried to work up the corporate ladder until I too was repaid for my hard work and loyalty by being made redundant and like Ade, I set up my own consultancy. As I said, I’ve always played and composed music. I played in a function band (ha!) in the 1990s, and since then slowly got into my own recording. I currently teach some guitar, and play with a couple of local bands – great guys, good fun.





Mark: After Salem, I got qualified in Karate and opened a Martial Arts Academy. Then a few years later, I opened along side it, a weight's/fitness gym. I started bodybuilding and went on to compete and win a number of competitions, including Mr. Britain (light-heavy weight class)! Out side of the band, I am currently enjoying my work as a personal self-defense instructor/coach. I know that Simon and Paul (Mendham) have always carried on playing music. Paul has played in many bands (incl. supporting Michael Schenker and WASP) is now in Innersylum. Similarly with Simon, who now also plays in Deep Fix, and he also teaches guitar.

Andy: Does it feel as if the scene has changed much?



Ade: In some respects the scene has changed, there is not so much emphasis by the fans on the musicianship now, and the obligatory studded leather jackets are not so prevalent. On the other hand I haven't heard anything in terms of music that is giving rise to doubts about our ability and contemporary relevance - as you have already witnessed yourself after hearing our new material.



Paul: Yes. There are a lot of changes. Obviously, computers and the Internet have made a huge difference to how music is recorded, distributed, promoted, watched and listened to. This opens up so many more opportunities for us, and for all bands – although this brings greater competition too. But on that point though, I feel that this competition is now much more positive and helpful – we share links to our music on Facebook, MySpace, ReverbNation, etc, and then comment and “like” other people’s music too. Another point for me, is that people are generally much more receptive to a wider range of music styles – for example, when I was a kid you couldn't  like pop AND punk, and even within genres you couldn't  like Black Sabbath AND Deep Purple, or Yes AND Genesis (I hope that makes sense!). I feel that nowadays this more open and tolerant approach helps to promote a more mature and healthy attitude.







Andy: Is a new full-length album in the works for Salem?



Ade: Definitely! Watch this space!

Andy: And finally the stage is yours now. Last thoughts?



Ade: Salem is giving 5 old blokes a chance to add an extra angle to their lives once again. Whether we actually achieve any kind of success the second time around remains to be seen, but the main point is that we are all enjoying what we are doing, and I think you can hear that in the new material. While we are all enjoying it, I see no reason to stop, so keep looking out for us, you never know what may happen!



Mark: We’ve all matured (?) as people and musicians, and that really makes a difference!



Paul: We’ve been really pleased with the new music - the way the band is working together – and the massive interest in Salem all around the globe. I’d like to thank all our supporters joining us and playing our music – new and old –on our website (www.salemband.co.uk) as well as Facebook, MySpace, ReverbNation, etc. We are now recording more new music – as Ade said, we are working on a full album – and looking for the opportunities to play at the right events.Thanks again for the opportunity to talk with you. Looking forward to playing for you in the States!! \m/

Tuesday, November 22, 2011

Salem-In The Beginning...

High Roller / Pure Steel Records
2010






This 2010 compilation from Salem is a remastered anthology of nearly everything the Hull-based band ever put out on vinyl or tape. At close to 85 minutes in length this collection gives you a perfect overview of what made Salem such a killer band. From their rare “Cold As Steel” single to various demos its all here in one well assembled package. With a booklet that features lyrics, a brief history of the band and photos this best-of collection is a fitting tribute to this unsung rock-influenced NWOBHM act. If you haven't had the chance to check out my interview with Salem I've included the link at the bottom of this review. Also, since I recently did a write-up on the group's latest material (that thankfully continues in the fine tradition of melodic British heavy metal) I've included that in the link as well. While Salem was formed from the ashes of Ethel The Frog they were able to forge their own path thanks to strong songwriting and lyrics of the epic/fantasy/hero variety. Salem were not content to just be another Iron Maiden or for that matter even fellow epic metal band Saxon. Instead they created music that was bold and fresh while still hard and heavy. While bands like Iron Maiden, Saxon and Def Leppard are of course interesting there was just something about Salem that set them apart from the rest of the pack. They choose to spin tales that were mythical in nature dealing with things like the battle between good and evil. Musically they were different too as I earlier hinted at thanks to their wide range of influences. In the interview we touched upon what made these guys tick. Really, in addition to the usual Led Zep./ Black Sabbath influences the band was inspired by traditional rock music and even progressive bands. Everything from Thin Lizzy to Kansas to Rush found its way into songs that were shaped around kings, the devil and magical keys. The more I listen to these two CDs the more I pick up on different things that hint at not only 70's rock admiration but also 60's rock. This collection really has something for everyone and is another great overview of how amazing the NWOBHM scene was. Sadly Salem was just one of many bands to release a single and a few demos, build up a sizable following and yet not be able to take it to the next level. They were like Deep Machine in that regard. They put out wicked material and had the fans and yet that golden record contract just didn't appear. Thankfully there are record companies these days that exist solely to release material from these long lost bands. "In The Beginning..." is a amazing collection of lost gems from the killer "Cold As Steel" single to the 2009 bonus track "Run For Your Life". While personally I love "Hangman's Noose", "Make The Grade" and the Keys trilogy there really is no filler to be found here and everything on this 2 disc set is killer. If you call yourself a NWOBHM fan then you need this anthology in your collection. That said even if you find yourself into classic rock/prog influenced bands then Salem will have a sound that peaks your interest. While Itunes does have this collection it doesn't seem to have all of the material so I'd suggest springing for the actual CD collection. With it's booklet it is a good buy and both CDs have found their way into regular rotation.

http://metalmark.blogspot.com/search?q=interview+with+salem
(interview with Salem and review of their newest material)

Wednesday, March 09, 2016

N.W.O.B.H.M. Wednesday: Salem-Dark Days

Pure Steel Records
2016

Regular visitors to Heavy Metal Time Machine should know that I am a long-time fan of the British metal band Salem. It was back in late November of 2011 that I covered this group's superb 2010 compilation, "In The Beginning...", and I followed that review up with write-ups of the 2013 EP, "X-Rated" and the group's last full-length album, "Forgotten Dreams". I've even had the honor of interviewing this legendary N.W.O.B.H.M. band so when I first heard about their brand new 11-track album here I was stoked! I'm here to today to lay down some cold hard truth for fans of Salem and that is as follows. With a due date of April 29th, "Dark Days" is not only a proper follow-up to Salem's 2013 disc "Forgotten Dreams", but it is easily  the best thing that this British band has ever laid to tape! Hell, "Dark Days" might just end up being one of my favorite hard rock/heavy metal albums of the year if not my undisputed number one!! Opening by way of the catchy-as-hell hard rocker, "Not Guilty" (Man alive I love this sick number with it's perfect mixture of  melody and metal madness!), "Dark Days" finds lead singer Simon Saxby (ex-Deep Fix) in top form and as these 11 tracks unfold he makes the case for being one of N.W.O.B.H.M.'s most underrated front man! Simon's not the only member of Salem to shine on "Dark Days" though. In fact he's just one key piece of the overall puzzle that is Salem the cult N.W.O.B.H.M. band. Guitarist Paul Macnamara and his brother in arms, Mark Allison, weave a deeply magical spell when it comes to Salem's new masterpiece. From the heavy rock/hard rock of "Not Guilty" all the way through to the powerhouse rocker "Tank"* that closes things out the technical guitar work on Salem's new album is nothing short of exquisite! The lead guitar solos are so good in fact that I found myself getting lost in the moment on more than one occasion!! Phrases like smoking hot and words like wizardly immediately spring to mind when you're talking about the six-string majesty that is Paul Macnamara & Mark Allison work on "Dark Days"! And how about the rhythm section of Salem? Can we just stop and have a little chat about bassist Adrian Jenkinson and drummer Paul Mendham (Innersylum, ex-Infobia, ex-Outland, ex-Q, ex-Rise, ex-The Hidden) for a moment? This pair adds the explanation point (!) to red hot British metal thanks to musicianship that is second to none! With the added benefit that comes from solid gold bass lines and impact is immediate drumming a band like Salem zips their merry way WAY past good hard rock/heavy metal and into the realms of the almighty epic!! Collectively-speaking, Salem is comprised of five top-tier musicians who have obviously taken the time to craft one of 2016's finest records. While I could work my way through each and every number on "Dark Days" let's just settle things right now and just say that they are ALL gems! In conclusion I'd just like you to take a moment and close your eyes for second. Now try to imagine a perfect hard & heavy platter where the likes of AC/DC, Deep Purple, Def Leppard, Diamond Head, Fifth Angel, Gillian, Iron Maiden, Judas Priest, Maineeaxe, More (N.W.O.B.H.M. band), Praying Mantis, Rainbow, Saxon, the Scorpions, Thin Lizzy, TKO, UFO, Van Halen, and Wild Spirit all come together for the sole purpose of creating long-lasting & highly- memorable music that is as catchy as it is clever. Add in the sound and style that is all Salem and Salem alone and you're talking about the greatest that is "Dark Days"! My friends it simply does not get better than this...




"Tank"* features a collaboration with former Nazareth guitarist Manny Charlton! 

Labels: , , , , , , ,

Wednesday, January 31, 2018

N.W.O.B.H.M. Wednesday: Salem-Attrition

Dissonance Productions
2018

Formed back in 1980 and initially only active until 1983, Salem is a N.W.O.B.H.M./hard rock band that is lead by Simon Saxby (ex-Deep Fix). The forthcoming "Attrition" is Salem's third full-length album since reforming in 2010. Opening by way of the incredible title track (a real rock and roll gem that is as modern as it is vintage!), "Attrition" is the highly-anticipated follow-up to "Dark Days". Including the aforementioned title track, there are eleven tracks in all on Salem's new release. Having first covered this majestic metal/rock band back in late November of 2011, Salem has had some awesome material to be sure. Honestly all it took was one listen to the group's 2010 compilation, "In the Beginning...", for me to fall in love with this group's sound. With that long history in mind, "Attrition" is the best thing that I have ever heard from this veteran band! Thanks to the contributions of all of Salem's band-members, "Attrition" also holds the distinction of the being the most care-free and versatile release to date from Simon Saxby and company!! Speaking of which, Salem is rounded out by Paul Macnamara (guitars), Mark Allison (guitars), Ade Jenkinson (bass), and Paul Mendham (drums). While it is true that everyone has helped out in the past, Salem's new album shows a older band that is not afraid of growth. Wisdom comes with age and Salem seems to understand this more than any other band their age. Now more than ever Salem has evolved to fit the times. Overflowing with catchy hard rock numbers and mature AOR/melodic rock tunes, Salem has taken up a sound and style that could rule modern day rock radio. For some that might sound like a sell-out, but they would be greatly mistaken about Salem's new approach. There is nothing artificial about this album and Salem are not claiming to be anyone but themselves. When it comes to the hard rock smashers, heavy rockers and beautiful ballads on this album it is all Salem and all good! Times might be changing around them, but that hasn't stopped Salem from stepping up to the plate and knocking things out of the ballpark!! Amazingly enough Salem does all of this while still maintaining that core essence that first made people take notice of this talented act. As great as their new studio album is, Salem should be on every top ten list from Europe to here in the U.S. That might seem like a long ways off, but I simply cannot see a whole lot of heavy & heard rock albums being as golden as this release is. With a due date of February 23rd, "Attrition" is a must-have for fans of Salem and anybody that loves hard rock/melodic rock. The album runs over fifty minutes, but with one great track after another it is a thoroughly enjoyable experience. Between this perfect album and Robespierre's latest release, 2018 is going to be one hell of a year for N.W.O.B.H.M. fanatics!

Labels: , , , , , , ,

Monday, March 25, 2013

Salem (UK): X-Rated (Limited Edition EP) "Brofest 2013"

Self-Release/Independent
2013

Thanksgiving has either come really early for me or way to late. It just depends on how you look at it. Why, you may find yourself asking, are we talking about Thanksgiving in late March? Well, while I can't divulge all of the news and/or rumors that have found their way into my daily thoughts, as of late more and more cult eighties acts/N.W.O.B.H.M. acts have either released new music or are in the process of releasing new material. For me that's something to be VERY THANKFUL for! Or rather, this new music is something to keep this long winter (and it's every looming seasonal depression) we are having in check. All of that brings us to Salem. If you're already familiar with the band then you will know that they what I'm talking about when I say that they have always had the perfect blend of hard rock/traditional heavy metal and N.W.O.B.H.M.  If you're not familiar with the band then be sure to click on the link below where I have an interview with them as well as some reviews of their material. Beneath that you'll find all the other links you need to know when it comes to Salem and this new free digital EP. Yes, this new 4-track EP is free for the taking and, if you're   like me in anyway (in that you love great heavy metal), then just stop what you're doing and download this EP. Don't ask any questions. Just do it. You won't regret it. With "When Love's In Your Heart" setting the stage in true heavy metal fashion, followed by the ever so cool title cut, the band tears through 4 tracks of sensational hard rock/heavy metal. Lead singer Simon Saxby sounds better then ever. Truly, a track like "Ask The Lonely", showcases his youthful voice and shows that Salem still has what it takes to be a leading force in the field of British metal. The EP concludes with a re-recording of a song from 1982, "Reach To Eternity", and, if anything is wrong at all with this limited edition EP, you find yourself craving more! Paul Macnamara and Mark Allison offer up killer lead guitar solos to compliment Simon's youthful energy as Ade Jenkinson (bass) and Paul Mendham (drums) keep things solid in true rock steady fashion. Throughout this EP the band pulls out all the stops to give the listener four tracks of epic heavy metal that is both melodic and menacing. My only question to Salem now is this-when will we see another full-length album?

Interview with Salem:
http://metalmark.blogspot.com/search?q=Salem-%22In+The+Beginning...%22

All the other links you need to know!
 

www.reverbnation.com/SalemUK


Labels: , , , , , , , ,

Thursday, November 17, 2011

Salem (UK)-New Recordings

Hairy Monster Recording
2011


Sometime next week I hope to do a proper review of Salem's excellent compilation "In The Beginning...". In the meantime though I thought I'd do a quick write-up of their new recordings. Available at their website (link below) the new tracks (which were just released this November) include "Retribution", "This Heart Is Mine" and  "High Stakes" . Right of the bat let me just say "Retribution" and "High Stakes" are both killer heavy rock/metal numbers. "Retribution" reminded me a bit of what French band Trust were all about. Hard rock and heavy riffs set this number up to be a classic down the road. "High Stakes" is heavy as well. That said it has this really addictive classic rock vibe to it and had me hitting the repeat button a few times. So what of "This Heart Is Mine"? Obviously more mellow by way of the title it is still crunchy enough to make a mark with the melodic hard rock crowd. It is a well written number bringing to mind bands like Dokken as well as Tokyo Blade. The one thing about these three new recordings I really love is that they sound modern enough while having a real classic feel to them. Also the three new tracks could easily become "hits" with fans. With no filler or leftover riffs these numbers show a band that has matured with time away and could very likely have a new album that blows away people's expectations. If Salem release a new album that is even half as good as these three tracks then I can certainly see them get that fame that sadly eluded them the first time around!

http://salemband.co.uk/

http://metalmark.blogspot.com/search?q=salem+interview (Interview with Salem)