Wednesday, May 02, 2012

Slander-Get Em Slandered (sneak peek)

Slander are one of those bands that both Metal Mark and I love. Their NWOBHM-inspired take on heavy metal is exceptional. Recently the band sent me two songs to listen to from their forth-coming EP, "Get Em Slandered". The EP, which is an album of covers, will serve the purpose of introducing fans to Slander's new lineup. The band is fronted by Simon Staples and features Andy Saxon-Lamb (guitars), Andy 'Eddie' Edwards (drums) and Pete Hewitt (bass). After being away from the scene for 15 years (has it been that long?) the band are currently writing and demoing tracks for their second album. With producer Carl Harris at the helm the band is meanwhile set to release this EP shortly as a way to please Slander fans who are anxious for new material. With the new voice of Slander being singer Si Staples (and the addition of top class bass player Pete Hewitt) fans should have no fears that the new material will be every bit as killer as "Careless Talk Costs Lives". Since there is no cover art available yet for the EP, and no official track listing as far as I know-this really is a sneak peek folks, I'm left with talking about just two of the cover songs: "Detroit Rock City" & "The Zoo". First off "Detroit Rock City". Surely some will look at the choice of covering Kiss and scratch their heads. After all it is a song that has been covered time and time again. You know what though? It just makes sense. "Detroit Rock City" is a classic number. It is the very definition of rock and roll. So, being that Slander can rock just as hard as any other band of their era it's a good call. Yes, it's been covered a billion times, but it's all about the spirit of rock and roll being alive and well! The band is having fun here and, seeing as they obviously are not taking things too seriously, frankly it's all good. It chugs along at just the right pace and takes a page or two out of NWOBHM's swagger. The song does a great job of not only showing off Stapers' voice, but showing that the band itself has little rust. "The Zoo" is also a nice little rocker and a cool choice to cover. I still love hearing this number on FM radio and in Slander's capable hands the track is a real rage-out moment. It's got a crunchy metal backbone and old fashioned charm. Sort of like the band itself. Both numbers show that the band hasn't lost any steam after all these years and can still kick up a fair amount dirt and debris. I look forward to not only this covers EP, as these two tracks are kick ass heavy metal, but the new album as well. You can find out more about Slander at their website below. I've also included two additional links. The first has an interview that we did with the band sandwiched in between two reviews of the band's first release while the second link is of the interview alone.

http://www.slandermetal.com/
(Slander's Website)








http://metalmark.blogspot.com/search?q=Slander-Careless+Talk+Costs+Lives+
(Interview w/ band along with two seperate reviews of "Careless Talk..."














(Interview only)

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Wednesday, December 14, 2011

Slander-Careless Talk Costs Lives


Stormspell Records
2011











Wait just a second here. Didn't Metal Mark just cover this one at the beginning of the month in our Forgotten Gems section? Why yes he did. And it was his excellent review that made me hit Amazon looking to snag a copy of "Careless Talk Costs Lives". And you know what? A funny thing happened when this arrived in the mail later on. In addition to Slander's old demo recordings was a second disc of 2010 material! So, cheating a little here since it was released at the start of 2011 and all (at least officially) I thought I'd do a quick write-up so I could get it included in my year end best-of. Why? Well, for one thing this re-recorded material is some of the best heavy metal to come out this year that's why! For the record the track listing is different for the second disc as Slander choose to add in so cuts that didn't get released the first time around. Actually about half the tracks are different here. You have newer numbers like "Shadows","Land of Darkness", "Midnight Train", "This Time You Lose" and "Ends of the Circle". Tracks like "Hangman" offer up more of Slander's NWOBHM worship only with a modern slant. Metal Mark was right on with his list of influences (I'll tack on his original review at the end of this one) although from the sound of this second disc I'd say there was some Diamondhead, Satan and even Witchfinder General running through Slander's veins. Seems a crying shame these guys didn't get their proper due the first go round as this second disc kicks serious heavy metal ass. This 2-disc set includes the original demo material, the 2011 re-recorded material and a nice booklet with the band's history. Stormspell Records has done a nice job with this one. Man I hope Slander keeps at it this time as music like this never grows old.



http://metalmark.blogspot.com/search?q=slander

Tuesday, December 12, 2017

Slander-Resolution Defiance

Stormspell Records
2017

English heavy metal band Slander, formed in 1990 and initially only active until 1993, released it's full-length debut album, "Careless Talk Costs Lives", way back in 1991. Now lead by vocalist Martin Moffwood (Stonefist), Slander are back on the scene with their long-anticipated sophomore LP. Clocking in at just under 38 minutes, Slander's "Resolution Defiance" comes along some 26 years after the group's critically-acclaimed debut. It also serves as the follow-up to Slander's 2013 split with Twisted State of Mind. Along with new and improved vocalist Martin Moffwood, Paul Snape makes his studio debut as Slander's bass player. He joins guitarist Ian Snape (2014-present) and founding members Andy Saxon-Lamb (guitars) and Andy "Eddie" Edwards (drums). With these new members in place, Slander comes out with all guns blazing and they make up for lost time with album number two. Things open up strong with the slightly-atmospheric "Lazarus" (a one minute instrumental opener) which runs straight into the metallic muscle punch of "Backs Against The Wall". The (riff-heavy) metal rocker "The Machine Keeps on Rolling" is next and it's followed up by the equally-awesome "When We Die". From there we have the slick title cut, the N.W.O.B.H.M.-infused "Take Me Down", and the powerful "Juggernaut". The album's longest track, "In a Dark Place", closes things out with a bang. It's a hard-edged/rock-steady take on classic heavy metal and it is beyond epic! Ultimately this is as perfect an album as one can get! And no, I don't say that lightly. From start to finish Slander's new album gets a A+ grade! Thanks to the addition of second guitarist Ian Snape and the marked improvement that is Martin Moffwood, Slander's new album is a step forward from what was already a dynamite sound! When it came to Slander's debut, N.W.O.B.H.M. meets eighties heavy metal is the description I used when I first heard it. Those influences are still here, but on album number two they have been merged with creative and highly-memorable heavy/hard rock. With Any Saxon-Lamb on one side and Ian Snape on the other, "Resolution Defiance" features some of the best guitar work that I have heard in a very long time! Whether it is the general riffs (which are energetic and just plain fun!) or the simply killer guitar solos, "Resolution Defiance" greatly benefits from having Andy Saxon-Lamb backed-up by a second guitarist. Special praise should also be given to Slander's new & improved rhyme second (I'm loving Paul's bass work and the always reliable drumming of Andy "Eddie" Edwards!) and the great vocal work of Martin Moffwood. Collectively-speaking, Slander circa 2017 is the best line-up to date and it has produced an album that cannot be topped! Even though it hasn't been officially released yet, "Resolution Defiance" is my vote for the heavy metal album of the year!! We can only hope that it doesn't take nearly as long for album number three to arrive!




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Sunday, May 13, 2012

Slander-Get Em Slandered

Self-Release/Independent
2012


When British heavy metal band Slander released their lone album, “Careless Talk Costs Lives”, in 1991 little did anyone know that it would go on to become a cult classic. Here it is now in 2012 and the band (who reunited in 2009) are finally working on a proper follow-up. In the meantime Slander are shortly due to release a covers EP, "Get Em Slandered", as a way to introduce their new members. The band is currently made up of new lead singer Si Staples, guitarist Andy Saxon-Lamb, new bassist Pete Hewitt and drummer Andy "Eddie" Edwards. Now, if your a regular reader of our blog then you should surely know by now that both Metal Mark and I love everything about this band. With a sound that recalls both eighties classic heavy metal and the NWOBHM scene in general this four-piece band are old school in nature while still offering enough of a modern edge to give listeners a nice kick in the pants. This EP (due for release sometime in the next month or so) covers a look of ground, music-wise, from NWOBHM (Diamond Head and Iron Maiden) to rock (Kiss) to even thrash (Anthrax). I love their cover of "The Zoo" by hard rock band the Scorpions. It's a long-time favorite of mine. It's a classic cut and the way in which Slander handles it shows both appreciation for the Scorpions and reverence of hard rock. The same must be said of "Am I Evil" by Diamond Head. Obviously when most people hear that this song is to be covered they think of Metallica. While the boys in Metallica did a fine job with it I like Slander's cover too. Their version is much closer to Diamond Head's original vision. It's gritty and raw, heavy and nasty all without losing the old-fashion heavy metal charm of the original version. "Diamonds & Rust" (Joan Baez/Judas Priest) is another track that is just killer. It is very much in vogue with Judas Priest's version. It comes off as classic heavy metal while "Madhouse" (Anthrax) is about as heavy and thrashed out as Slander gets. Having heard "Madhouse" hundreds of times (I grew up on Anthrax) it is interesting to hear it done in a different fashion. "Hallowed be Thy Name" (Iron Maiden) is done in loving fashion and again you can tell how much Slander loves classic heavy metal/NWOBHM. You just get this sense that these guys love listening to heavy metal as much as they love playing it. Meanwhile "Detroit Rock City" is just plain fun to listen to. It's crunchy and heavy and, while they certainly don't take themselves too seriously on the number, they still manage to rock the living daylights out of this Kiss classic. This is a nice little stop gap before the band's next album (due sometime in 2013 at the earliest) is released. Find out more about Slander at their Facebook and/or Myspace pages below.

http://www.facebook.com/pages/Slander-UK/108078912580631


http://www.myspace.com/slandermetal

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Thursday, April 19, 2012

Interview with Slander

Slander Logo Red

HMTM-For those readers who might not be familiar with Slander can you share how the band came about.

Steve Slater (original Singer) and Andy Saxon-Lamb had known each other for a while and had been discussing starting a band during 1989. They already had Andy ‘Greg’ Gregson (original guitarist) on board and they started auditioning people in early 1990. They received a phone call from Robin Duke (Entertainments correspondent @ the Blackpool Evening Gazette) stating that a band had dropped out of the local Rock Battle and could they fill their slot the day after. Robin basically asked if ‘Meanstreak’ could play it at short notice, which was Andy Gregson’s and ASL’s former band that had played throughout the 80’s in the Lancashire area. Steve said they could and they set about poaching musicians from other bands to play with them as a ‘one off’. They managed to get a bassist called ‘Chad’ from the band ‘Dog Food’ and a drummer called ‘Mick Mason’ from a band called ‘Fantasia’.

They then rehearsed at a local rehearsal room called ‘Red Box’ overnight and finished at about 04.00am. They did a couple of Maiden Covers and a couple of Priest covers, ‘Cry of the Wolf’ and ‘Lay down The Law’, which were originally played by Greg and ASL with Meanstreak. The next evening they played a 30 minute slot at the Rock Battle and at the end received a loud amount of applause and cheering. (They didn’t win!!) Robin Duke mentioned them in his review of the event and said that they showed promise and would be a good addition to the local scene if they decided to stay together as a band. After reading the review, Steve, Greg and ASL decided to recruit some new members. That’s when Kieran Shellard (Bass) and Eddie joined. They named the band ‘Slander’ and started rehearsing 3 nights and 1 Saturday every week. That is how ‘Slander’ came to be straight from the horse’s mouth!!

HMTM-Despite forming in 1990 your sound had more in common with the NWOBHM movement. What were some of the bands that helped to shape your sound?

We all listened to classic rock bands such as Priest, Maiden, Scorpions, ACDC, Purple, Sabbath, and Zeppelin when we were younger and there is no doubt that we wanted to play their type of music. ASL is also a big fan of Metallica, Megadeth, Slayer and Anthrax at the time, so when he wrote the music, I think this influenced me him as well.

HMTM-The NWOBHM sound seems to be more in style now than it was back when you guys did your demos in the early 90's. Do you agree with that and if so then why do you think that is?

It would seem that NWOBHM is on its way back. We call it the SWOBHM (Second Wave). It is great to see a fantastic genre on its way back to the forefront of music in the Rock scene. I would say that we definitely missed the boat by about 10 years as a band for any commercial success. This was due to age more than anything really, as at the time of the original NWOBHM movement we were all in school lol!! Slander was never really about commercial success (although it would have been nice!) it is more about playing the music we love. It is amazing that people actually regard ‘Careless’ as a great NWOBHM album. I think we are all grateful that we have had the opportunity to put our music out there when so many good bands never get the chance.

HMTM-Your band formed almost half a decade after NWOBHM had died down. Do you think playing that style limited the audience you got back then or where there enough fans still starved to hear that kind of metal?

I would say that was definitely the case. From 1990 - 1991 we found ourselves quite popular and ‘Careless’ sold out the original 500 in late 1991 very quickly. We did get some large crowds, but ‘Guns & Roses’ had really taken off by this point as had Metallica’s ‘Black Album’, so we sounded pretty dated. Once Nirvana launched ‘Nevermind’ then the whole scene was dead for us and that was one of the main reasons we called it a day in early 1993.

HMTM-Your song "Fighting Talk" is one of the album's highlights. It received some airplay back in the day correct?

It was the first song Steve and I wrote in early 1990 along with Lonely Nights. It is a song everyone seems to know and sing along to when we play live. When we played a recent gig in Lancaster (Lancashire UK) and the crowd were singing it word for word. That was a huge surprise for us. After 20 years, one of our tracks is being sung by an audience. It’s that sort of thing that makes being in a band worthwhile. I am also aware that bands in the states cover this song amongst others. That’s quite an accolade! In late 1990 'Fighting Talk' appeared on Radio 1’s Friday Rock Show’s ’ Rock Wars’. The feature showcased the talents of unsigned bands and was hosted by the late Tommy Vance. Unfortunately, we were runners up.

HMTM-Was there ever any label interest in the band the first time around?

There were a few tentative enquiries from them, but that was it. As soon as they found out we weren’t Grunge the phone went down lol!!

HMTM-Even though the musical landscape was changing Slander was a popular live act at the time. Who were some of the bands you shared a stage with?

We played with Wraith in 1992 a couple of times, Beki and the Bombshells (Beki Bondage for Vice Squad), Marshall Law and were on the Headbangers Ball Tour around the UK where we alternated nights at different venues with Paul Di’Anno’s Killers, Saxon & Samson. We probably played with a few more bands, but I can’t recall them now to be honest. We must have played 100’s of gigs between 1990 and 1993.

HMTM-The cover art from "Careless talk costs lives" has a very cool early 80's vibe to it. Who did the artwork?

The cover art work was designed and drawn by a local artist called Paul Grundy. The cover has various references to land marks around our local area and the one thing we all wanted to do was leave there and play in an HM band!! We received a lot of criticism and unhelpfulness from some parties (there were some brilliant people as well!) in the very early days of the band and it was almost like we could never escape. We used to call our hometown Doomsville and Paul took the idea and elaborated on it as having someone trying to escape our home town and all the forces that conspire against you doing that are signified by the Dragons and Train Driver. I think there was also touch of influence from the film ‘Night Of The Demon’. It’s A little surreal, but not to serious.

HMTM-You have been working on new material right? Can you tell us a little about that. Does it feel different writing together now then as it did back in the 90s?

We have been working on new material and will start playing some live this summer. It’s definitely different, as for one Steve is no longer with us and his lyrics were what I wrote the music around for ‘Careless’. Now we have Si and Pete who both write as well. There is a more mature feel to the playing now and I think this show’s through on the 2011 re-release of ‘Careless’. We are keeping the a similar sound but with a bit more maturity around the writing. The next album will definitely have the former songs energy!!

HMTM-Who is in Slander now?

Si Staples – Lead Vocals
Andy Saxon-Lamb – Guitars
Pete Hewitt – Bass
Andy ‘ Eddie’ Edwards -Drums

HMTM-Is there an album in the works?

Yes. We start recording it in October for an early 2013 release. In the meantime we have a covers EP coming out in May that will introduce the fans to Simon. It’s basically a stop gap before the next album. It will be entitled ‘Get Em Slandered’, so watch out for it!!

HMTM-How does it feel to see your album getting such great reviews now? It must be some justification to know you were onto something with your sound.

It is a fantastic honor to have such kind reviews from people about our music. It can be sometimes dreamlike as you ask yourself is that our music they are being kind about. It does add some justification to our song writing back in 1991, but to be fair the trends had turned against our music at that time.

HMTM-Is there any chance we might see Slander here in the States?

We would love to play over in the States as a support act to someone over there. It is something we have always wanted to do, but without a promoter paying for it, then it would be difficult. We get so many nice messages for the States that I am sure we would go down well out there. I think we have to say ‘Never Say Never !!’ Maybe our chance will come in the not too distant future.

HMTM-Last thoughts?

We had a long gap between 1993 and the full reunion in 2009 and it is like starting over again, with the energy, writing and the music we play. This line-up is probably the strongest we have had in terms of unification and musicianship, so Slander is definitely going to continue and produce new music moving forward. I would just like to also thank everyone who had bought our music and supported us over the years. You really are an inspiration to the band and your support is much appreciated. We would also like to thank HMTM for the opportunity to be interviewed.

Slander Logo black


***Andy conducted this interview. I just posted it for him because he had some computer problems. Enjoy. -Metal Mark

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Sunday, December 04, 2011

Forgotten Gems-Slander-Careless talk costs lives

Photobucket

Slander were from the UK, they had a definite NWOBHM sound even down to the production and even the cover looked like it was done in the early 1980's. The only thing is the album was done a decade after the prime of NWOBHM. This band formed in 1990 and knocked out several demos in 1990 and 1991. They chose the best ones and released it as a limited edition, self-released album in 1991. The band broke up two years later. I imagine these guys were fans of the early 1980's style and even though that scene had been dead for half a decade before they formed, they still chose that as the focus of their music. They don't sound like a tribute band or like some of the second rate copy bands that are going today, but instead they sound like the genuine article. Influences include Tygers of Pan Tang, Dianno-era Maiden, Demon and others. Still Slander have their own ideas and every song here is worthwhile. The guitars are solid, the vocals are strong and all the playing is very tight. My favorite tracks are "On the run", "Colour of your money", "Lonely nights" and "In your world". Really you can't go wrong with any song here. I don't know what the reaction to this album was twenty years ago, but now this sound is back in vogue and this album received a two disc set release earlier this year. So at least Slander are finely getting some recognition for their fine work.

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Thursday, December 15, 2011

Andy's Top 30 Heavy Metal Album Reviews of 2011

This year I have decided to do things a little different for my 2011 best-of. Instead of risking a list that would just be a mirror image of Metal Mark's I have decided to post a best-of based solely on my own album reviews. In other words these are the best albums I reviewed personally over the past year with some notes here and there just to keep things interesting. Obviously it is no particular order. Enjoy.









1)Ichabod Crane-Brimstone (Local hardcore, metal, thrash mash up band does good)









2)Bloodbound-Unholy Cross






3)Conflicted-Never Be Tamed






4)Totimoshi-Avenger (Weird and yet so powerful)






5)Ear Danger-Full Blast At Last (Just one of many older bands to grace my list)






6)Hell-Human Remains (What a great year it was for older heavy metal bands!)






7)Exxplorer-Vengeance Rides An Angry Horse (Power metal from the masters!)







8)Death Mask-Sitting In The Dark






9)Satan's Host-Celebration: For the Love of Satan (Re-recorded and re-worked classics!)






10)The Approach and The Execution-The Blood March (Protest The Hero meets Iron Maiden?)






11)Ana Kefr-The Burial Tree (II) (The new face of black metal!)






12)Junius-Reports from the Threshold of Death (Majestic and stunning!)






13)Mockingbird-Mockingbird






14)Bitches Sin-The Rapture (NWOBHM greats return!)






15)Thurkills Vision-For The Sleeping (Modern metal done right!)









16)Priscilla-Eight Lives Gone (Sleazy industrial trash metal?)



17)Times Of Grace-The Hymn Of A Broken Man









18)Praying Mantis-Metalmorphosis 30th Anniversary Special Edition EP (More great NWOBHM!)


19)Sign Of The Jackal-The Beyond (Limited Edition EP) (Horror movies, heavy metal and a female vocalist? Oh yeah!)




20)Voivod-Warriors Of Ice (A live album that showcases just how good these guys are)




21)Deadiron-Deadiron (More local metal like Iron Maiden meets Bay Area Thrash with an Ohio touch!)




22)R.U.S.T.-Forged in the Fire of Metal (Classic heavy metal from a new band. What is not to love?)




23)Benedictum-Dominion (The best in female fronted heavy metal)




24)Saxon-Call To Arms (Welcome back mates!)




25)Megadeth-Thirteen (Maybe Bay Area Thrash isn't dead?)




26)Dexter Ward-Neon Lights (Some of the best heavy metal out there!)




27)Skull Fist-Head öf the Pack




28)Killing Joke-Live at Hammersmith Apollo (Another excellent live album from a classic band!)




29)Slander- Careless Talk Costs Lives (Seriously good metal from a newer NWOBHM act)




30)Riot-Immortal Soul (American heavy metal at it's finest!)


All in all a pretty good year for heavy metal. Lots of local acts proved worthy of praise while plenty of older bands put out new albums that were just killer. There was great releases in straight up heavy metal, thrash, modern metal and black metal. Hopefully 2012 will prove to be as good!

Friday, April 13, 2012

Current Playlist

Here you go.


Andy-
Listening to-

Slander-Careless Talk Costs Lives
Metal City Compilation
Nitro-Lethal
Midnight Blue-Midnight Blue
Defender-Remaining Tales
Dark Heart-Shadows Of the Night
Skew Siskin-Skew Siskin
Midevil-Forced To Believe
Ironheart-Archives
Heavy Artillery Compilation


Watching-


Doctor Who-Paradise Towers
Futurama Season 5
Bad Moon
Graveyard Shift


Reading-Sherlock Holmes And The Case Of Sabina Hall


Metal Mark-
Listening to-

Tigertailz-Bezerk
Iron Maiden-Brave new world
Smash Alley-Too late to say no
Sleep-Dopesmoker-2012 version
Loaded Gun-s/t
Juliet's Vice-s/t
Malhavoc-Age of the dark renaissance
Logans Run soundtrack
Born to metalize compilation
Crucified-Infliction of pain...execution of the sane demo

Watching-
Logan's Run the entire tv series
Frasier season two
She-demons
Giant from the unknown

Reading-
Calvin and Hobbes comics
More young adult books for work

***What are you listening to, watching or reading?

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