Free Metal Monday: Meteor Vortex-Cosmic Labyrinth

Self-Release/Independent
2016

Just released on November 18, the name-your-price "Cosmic Labyrinth" is a (guitar-heavy) tripped-out space ride from here to eternity and back from the psychedelic stoner rock/metal band known as Meteor Vortex. Yes, that is a mouthful of an opening sentence/band-description, but give a listen to this Kouvola, Finland-based power trio first before you tell me that said description doesn't fit this JAM BAND to a tee! Available by clicking on the link above, "Cosmic Labyrinth" is a three-track extended-EP that should help some of you groove your way through another moody Monday morning! For now it is a digital-only recording, but apparently there are plans underway for some kind of a psychical release. 

Space Monkey-The Blackest Hole

Self-Release/Independent
2016

Originally formed way back in 2012 by ex-King guitarist Marco Quiroz (guitars/vocals) and drummer Luke Brletich (and initially starting out life as a side-project of the pair before making the slow transition over to full-fledged band), Space Monkey is a five-piece metal band that hails from Ohio and also features within it's ranks guitarist Tom "Tommy" Packard of At No End fame. Of course the hardcore-tinged At No End gave us the 2011 album, "Holocaust" and 2013's "From The Rust" so when Tom Packard himself sent me a request to review this (modern metal/death thrash by way of stoner rock) album how could I refuse? The answer is I couldn't, but still had I known the exact nature of "The Blackest Hole" I might have been better prepared for what transpired between point A (Tommy's email request) and point B (sitting down to do a write up on Space Monkey's high-recommend debut album here). Please note that everything that follows is the gospel truth and nothing has been added for theatrical purposes. Naturally we start our journey at the beginning and that would be when I first opened up the package that guitarist Tom Packard sent me. It arrived with a handful of similar-sized padded envelopes* and having opened all of my mail in hast on the dining room table the CD almost ended in my recycling pile! At the last moment I realized my mistake and after grabbing the album I headed out to my car for what would prove to be a afternoon full of errands. Having (unsuccessfully) attempted to play the CD in my car I placed the disc back in it's slip case and put it on the passenger seat. After arriving back home I couldn't find the disc and I had to tear apart my car to locate it (it had somehow managed to slip between the side seat and my car's middle console). Taking the CD inside I almost immediately lost it in my room. This proved to be my first warning that "The Blackest Hole" was playing hard to get! With a new day dawning I went on the hunt for the CD and by this point I couldn't remember if I brought it in from my car or left it in my room (I would like to blame the two or three Angry Orchards I had the night before, but I'm a goofball at the best of times so...). After tearing both apart the CD mysterious appeared right on top of one of my Blu-Ray/DVD towers. The weird thing is I remember scanning the tops of them with my eyes and not seeing anything. By this point I really began to wonder if there was something "otherworldly" about Space Monkey's first full-length album. Whatever the case might be I went about putting the CD into on one of my two stereos. Nothing happened. I couldn't get the disc to play. OK, I tried the other one and the same thing happened. "Alright, this is really odd now" I thought to myself so I ended up having to borrow one from my parents. With their CD boombox in hand the disc finally played! I figured everything was right with the world. Naturally I was wrong as I couldn't get the volume button to turn down any! So, not only did this disc play hard to get, but once I actually manged to capture it and get it to "communicate" with me this album insisted upon being played LOUD and PROUD! Not that there is anything wrong with that!! Naturally you might be thinking that there was something wrong with the disc, but the really strange thing is after playing it on someone else boombox it played perfectly fine on all of my devices! It all sounds so f**ked up, but I couldn't make up a story like this if I tried! So, with all of that said what are we to make of the Cleveland-based Space Monkey? Well, first things first. Lead singer Nicholas Jarrell (ex-Order 66 vocalist) and bass guitarist/vocalist Terry Johnson round things out for the heavier than the almighty heavens Space Monkey and on "The Blackest Hole" not only does he guest as a lead vocalist on the excellent thrash metal attack track that is "Twisted Visions", but Noah Buchanan recorded and co-produced the disc as well! It's all rather fitting that a soon to be legendary Cleveland band hooked up with a legendary Cleveland musician/producer like Noah Buchanan. His fingerprints can be seen all over this album which sees the guys in Space Monkey drawing from influences that range from Mastodon (opener "Dark In Continents") to Queens of the Stone Age (the sweet as f**k "Manic" that mixes desert rock with lethal does of modern metal!). It's not until track number four (the soul-crushing "Infested Water") that we hear some of At No End's hardcore influence creep into the mix, but really once you hit play and "Dark In Continents" kicks in you're going to hear all sorts of crazy stuff** so it's best to just keep your ears wide open for this pulverizing disc! To wrap things up let me just say this. For a first album, "The Blackest Hole" is just about flawless. Even if it took me awhile to get to the heart of the matter (why this disc had to tease me/torment me unmercifully I'll never know!) this new album from Space Monkey offers more proof that when it comes to extreme metal Ohio has some of the best bands out there bar none! All that's left for me to do now is check this act out live and in bloody red color and everything will be just golden delicious!   




*In addition to a few things that I had ordered off of eBay that finally showed up(!) that day alone I received four separate promo CDs! If only I was half as popular with the ladies as I was with record labels and artists...

**Besides modern metal, death thrash, hardcore and stoner rock there were tiny flashes of goth metal, alternative metal and even black metal. No one can say "The Blackest Hole" isn't interesting!

Clouds Taste Satanic-To Sleep Beyond The Earth

Self-Release/Independent
2014

Well, I feel like a dick. I realize that's not much of a way to open a review, but seeing as this was released back in July and I just stumbled upon it in my email this past weekend its a reasonable enough response on my part. Better late than never I suppose. Although it's got to be said that when it comes to this New York instrumental band the cooler months of October, November and December do seem to offer up more suitable environments when listening to a modern day doom metal band with a "post rock" past like Clouds Taste Satanic. And while I can't be entirely sure about the name of this Brooklyn band (seeing as I've never had the experience of tasting clouds for myself!) I will say that the title of this band's first full-length LP is all the more fitting given the fact that Clouds Taste Satanic wears it's influences on it's sleeves! "To Sleep Beyond The Earth" is a debut album where the love of Earth and Sleep is but the first step taken in this band's personal journey towards self-discovery with some Sunn O))) and those "post rock" roots acting as stimulants for these passionate performers! Said performers include Steve Scavuzzo and David Weintraub on guitars with Sean Bay (bass) & Christy Davis (drums) rounding out this party. Music-wise you can expect to find yourself  transfixed by the cold stare of Clouds Taste Satanic with the album "To Sleep Beyond The Earth" methodically creeping and crawling towards the listener with outstretched skeletal hands of doom. All told it's 45 minutes of stretched-out soul crushing material, but as they often say slow and steady wins the race. Made up of "To Sleep Beyond the Earth (Parts I & II)" and "To Sleep Beyond The Earth (Parts III & IV)" this is one of the ultra rare instrumental albums that actually seems to work better without vocals muddying up the mix. Available as a digital download at the link below, with Kinda Like Music handling the  vinyl and CD versions of the excellent "To Sleep Beyond The Earth", the debut full-length from Clouds Taste Satanic is sinister sexy and should be viewed as a must-have for fans of Earth and Sleep!

http://cloudstastesatanic.bandcamp.com/releases

Dogs of Delphi-Irons in the Fire

Self-Release/Independent
2013

Based in Kansas City Missouri, whose pro football team the Chiefs are very likely to remain undefeated after they destroy my hometown (not so) pro team today, the Browns (especially when it comes to our anemic and down-right offensive offense!), let me introduce all of  you to the band Dogs of Delphi. This real deal, raw, ravenous and ready to strike band is not only heavier then King Kong's (big and hairy) testicles, but their demeanor is even nastier then damn stinky ape! Dogs of Delphi, with what I expect is their debut-recording, offer up (for your listening pleasure of course!) 5-tracks of unapologetic metal. This mid-west act is every bit what you'd expect based not only upon their cool moniker and the EP's gripping title, but also the effective black and white art-work that dons this EP! This five-track release opens strong with the cutting "Voice's of the Sky" and like a mean and vicious junk yard dog, whose gone rabid and has developed a taste for human flesh, it sinks it's blood-craved teeth into you and just doesn't let go!  Not even the album's closing number, which in this case is the gut-punching title-cut "Irons in the Fire", offers relief from it's trap-jaw so don't bother saying any prayers or begging for mercy. Long after this one is (technically) over your head is still going to be rattling from all of the meaty riffs and you'll be wondering where that mack-truck is that just ran you over! Now, usually I try to steer clear of a band's self-penned description. But, in the case of the Kansas City act it is actually a fairly spot-on description. As such it would be hard for me to argue against such a fact as the following. In a nutshell, Dogs of Delphi are said to be what you would get when you combine the three bands Black Sabbath, Clutch and Corrosion of Conformity into one volatile collective. Alright, you've got me as the "volatile collective" part I added myself. The thing is it's all too real and this band's sonic destruction is downright dangerous! So, this one sure does seem to be a combination of all three (Black Sabbath, Clutch and Corrosion of Conformity) with the Clutch part having everything to do with the sound & style of lead singer Adam Vinck. As he has the same kind of gnarly vocal delivery that a younger Neil Fallon did, which is f**king wicked friends, it's easy enough to draw a line between Dogs of Delphi and Clutch. Beyond that yes, sure enough there are those definite pieces/parts of both of the (other two) previously mentioned bands (Black Sabbath and Corrosion of Conformity). But, hold on a minute or two as we check out some of the other groups that spring to mind when you're talking about Dogs of Delphi. There's quite a bit of  anything/everything that Phil Anselmo had/still has to offer the heavy metal community.  This four-piece recalls the likes of Pantera, Superjoint Ritual and Down and in this case that's far from a bad thing! It's simply that Dogs of Delphi has more the enough substance to keep them interesting. With a guitarist like Todd James on hand, who keeps himself quite busy by laying down groove-heavy riffs (with the emphasis on HEAVY!), there does seem to be a tiny bit of (let's hold off on the psychedelic please and, in it's place, how about we try it with a bit more punk fellas?) Monster Magnet. Well, there's that and then (and I'm not sure why it was that I came away with this one) I heard the familiar rumblings of the mighty Motörhead in between Dogs of Delphi's riffs. Why it is that bands like this always bring me back to Lemmy and company I just don't know. Maybe it's a genetic defect on my part?. Either way there are also a lot worse things in life then being compared to a band like the one Lemmy fronts! On subsequent listens (as this one DEMANDED that I listen to it a half dozen or so times!) I came away with the impression that Dogs of Delphi could be what an alternate universe version of Motörhead would sound like if their biggest influences had been not only bands like Black Sabbath, C.O.C. and Clutch, but also "No Life 'til Leather" era Metallica! All of that just goes to show the diversity of this Kansas City collective and how "Irons in the Fire" is a beast of an EP!  Well, that and then it shows that my mind never likes to stay in one place for too long. I will chalk that one up to all the years of headbanging and thrashing out as it would explain the scrambled egg brains of mine! And hey, Dogs of Delphi, which is filled out by the pair of  bassist Michael Christopher (formerly of Primer 55) and drummer Jason Byrd (formerly of Cherry Wench with Todd James), might not helped me any with there monstrous riffs, but you are not going to hear me complain! Maybe the group's not a well-known commodity right now, but if they keep on cranking out this kind of ball-crushing, heavy on the groove and southern fried for extra crunchiness material then that will change soon enough. Be sure to clear out the runway for this Kansas City collective when you do secure a copy of this EP. Because let me tell you, when they come down to land these 5-tracks it's going to make one hell of a heavy metal explosion and leave layers upon layers of carnage everywhere! You can snag a copy of this one on iTunes, Amazon and other sources that deal in all things digital and all things "hotter then hell and capable of drop-kicking the devil's ass all the way to heaven" metal!

When The Deadbolt Breaks-Drifting Towards The Edge Of The Earth

EarOne Productions
2013

What exactly does happen when the deadbolt breaks? If we're talking about this Connecticut-based band, and more specifically their upcoming, forth full-length release, the answer is sludge-filled doom. Lots and lots of sludge-filled doom. Like a out of control and slowly approaching landslide it eventually breaks down the door and wrecks utter and complete havoc. That's about what it's like to listen to this (strangely) appealing band that has been going about such business since 2005. On their aptly titled new album the band seems to pride itself on unloading drips of doom-drenched despair onto everyone and everything in any way that they can get away with. Such an uncaring approach is the stuff of melancholy dreams for the gloomy Sunday crowd no doubt. While the three musicians involved here do seem as if they could easy laugh at the thought of such unflinching and darkly-coated metallic slime rolling over and destroying the unsuspecting  it's not all doom and despair. Or at least not all the time. Ex-Cable guitarist/vocalist Aaron Lewis and company (bassist/vocalist Mike Parkyn and drummer Rich Kalinowski) do inject a bit of "normality" into the mix by way of classic rock riffs and the unexpected melodic moment or two. It chances the dynamics a fair bit, but even so this one is not for the squeamish! When The Deadbolt Breaks are more about encasing the listener in a solid block of mysterious black goop then taking it easy on anyone who purposely or not stumbles upon their existence! Sure, fans of Sleep and the like might find reason to celebrate a band like this, but what will it do for everyone else?  It's sink or swim friends. Sink or swim. If you dare then track it done. But realize this friends-When The Deadbolt Breaks lives by their name. They are formed from nightmares and are likely the very thing your mother also warned you about. If, and only if, you understand that notion would I suggest plugging into this one.